faith is messy–which is where God is found
by Peter Enns
August 17, 2014
"As long as you can deal with life in universal abstractions, you can pretend that the usual binary way of thinking is true, but once you deal with a specific or concrete reality, it is always, without exception a mixture of darkness and light, death and life, good and bad, attractive and unattractive.
"We who are trained in philosophy and theology have all kinds of trouble with that, because our preferred position is to deal with life in terms of abstractions and universals. We want it to be true “on paper” whether it is totally true in concrete situations is less important or even denied.
"This is what the dualistic mind does because it does not know how to hold creative tensions. It actually confuses rigid thinking or black and white thinking with faith itself. In my opinion, faith is exactly the opposite—which is precisely why we call it “faith” and not logic.
"The universal divine incarnation must always show itself in the specific, the concrete, the particular (as in Jesus), and it always refuses to be a mere abstraction. No one says this better than Christian Wiman:
“If nature abhors a vacuum, Christ abhors a vagueness. If God is love, Christ is love
for this one person, this one place, this one time-bound and time ravaged self.”
"When we start with big universal ideas, at the level of concepts and –isms, we too often stay there—and forever argue about theory, and making more “crucial distinctions.” At that level, the mind is totally in charge. It is then easy to think that “I love people” (but not any individual people). We defend universal principles of justice but would not actually live fully just lives ourselves. The universal usually just gives us a way out. The concrete gives us a way in!"
Richard Rohr (from his Daily Meditations)
Adapted from A New Way of Seeing, a New Way of Being: Jesus and Paul (CD, MP3 download);
and Eager to Love: The Alternative Way of Francis of Assisi , pp. 71-72
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Eight years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith—responsive not only to modern thought and science but also to religious tradition—might look like.
Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this “burn of being”? Wiman asks. What might it mean for our lives—and for our deaths—if we acknowledge the “insistent, persistent ghost” that some of us call God?
One of Publishers Weekly's Best Religion Books of 2013