Quotes & Sayings


We, and creation itself, actualize the possibilities of the God who sustains the world, towards becoming in the world in a fuller, more deeper way. - R.E. Slater

There is urgency in coming to see the world as a web of interrelated processes of which we are integral parts, so that all of our choices and actions have [consequential effects upon] the world around us. - Process Metaphysician Alfred North Whitehead

Kurt Gödel's Incompleteness Theorem says (i) all closed systems are unprovable within themselves and, that (ii) all open systems are rightly understood as incomplete. - R.E. Slater

The most true thing about you is what God has said to you in Christ, "You are My Beloved." - Tripp Fuller

The God among us is the God who refuses to be God without us, so great is God's Love. - Tripp Fuller

According to some Christian outlooks we were made for another world. Perhaps, rather, we were made for this world to recreate, reclaim, redeem, and renew unto God's future aspiration by the power of His Spirit. - R.E. Slater

Our eschatological ethos is to love. To stand with those who are oppressed. To stand against those who are oppressing. It is that simple. Love is our only calling and Christian Hope. - R.E. Slater

Secularization theory has been massively falsified. We don't live in an age of secularity. We live in an age of explosive, pervasive religiosity... an age of religious pluralism. - Peter L. Berger

Exploring the edge of life and faith in a post-everything world. - Todd Littleton

I don't need another reason to believe, your love is all around for me to see. – Anon

Thou art our need; and in giving us more of thyself thou givest us all. - Khalil Gibran, Prayer XXIII

Be careful what you pretend to be. You become what you pretend to be. - Kurt Vonnegut

Religious beliefs, far from being primary, are often shaped and adjusted by our social goals. - Jim Forest

We become who we are by what we believe and can justify. - R.E. Slater

People, even more than things, need to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone. – Anon

Certainly, God's love has made fools of us all. - R.E. Slater

An apocalyptic Christian faith doesn't wait for Jesus to come, but for Jesus to become in our midst. - R.E. Slater

Christian belief in God begins with the cross and resurrection of Jesus, not with rational apologetics. - Eberhard Jüngel, Jürgen Moltmann

Our knowledge of God is through the 'I-Thou' encounter, not in finding God at the end of a syllogism or argument. There is a grave danger in any Christian treatment of God as an object. The God of Jesus Christ and Scripture is irreducibly subject and never made as an object, a force, a power, or a principle that can be manipulated. - Emil Brunner

“Ehyeh Asher Ehyeh” means "I will be that who I have yet to become." - God (Ex 3.14) or, conversely, “I AM who I AM Becoming.”

Our job is to love others without stopping to inquire whether or not they are worthy. - Thomas Merton

The church is God's world-changing social experiment of bringing unlikes and differents to the Eucharist/Communion table to share life with one another as a new kind of family. When this happens, we show to the world what love, justice, peace, reconciliation, and life together is designed by God to be. The church is God's show-and-tell for the world to see how God wants us to live as a blended, global, polypluralistic family united with one will, by one Lord, and baptized by one Spirit. – Anon

The cross that is planted at the heart of the history of the world cannot be uprooted. - Jacques Ellul

The Unity in whose loving presence the universe unfolds is inside each person as a call to welcome the stranger, protect animals and the earth, respect the dignity of each person, think new thoughts, and help bring about ecological civilizations. - John Cobb & Farhan A. Shah

If you board the wrong train it is of no use running along the corridors of the train in the other direction. - Dietrich Bonhoeffer

God's justice is restorative rather than punitive; His discipline is merciful rather than punishing; His power is made perfect in weakness; and His grace is sufficient for all. – Anon

Our little [biblical] systems have their day; they have their day and cease to be. They are but broken lights of Thee, and Thou, O God art more than they. - Alfred Lord Tennyson

We can’t control God; God is uncontrollable. God can’t control us; God’s love is uncontrolling! - Thomas Jay Oord

Life in perspective but always in process... as we are relational beings in process to one another, so life events are in process in relation to each event... as God is to Self, is to world, is to us... like Father, like sons and daughters, like events... life in process yet always in perspective. - R.E. Slater

To promote societal transition to sustainable ways of living and a global society founded on a shared ethical framework which includes respect and care for the community of life, ecological integrity, universal human rights, respect for diversity, economic justice, democracy, and a culture of peace. - The Earth Charter Mission Statement

Christian humanism is the belief that human freedom, individual conscience, and unencumbered rational inquiry are compatible with the practice of Christianity or even intrinsic in its doctrine. It represents a philosophical union of Christian faith and classical humanist principles. - Scott Postma

It is never wise to have a self-appointed religious institution determine a nation's moral code. The opportunities for moral compromise and failure are high; the moral codes and creeds assuredly racist, discriminatory, or subjectively and religiously defined; and the pronouncement of inhumanitarian political objectives quite predictable. - R.E. Slater

God's love must both center and define the Christian faith and all religious or human faiths seeking human and ecological balance in worlds of subtraction, harm, tragedy, and evil. - R.E. Slater

In Whitehead’s process ontology, we can think of the experiential ground of reality as an eternal pulse whereby what is objectively public in one moment becomes subjectively prehended in the next, and whereby the subject that emerges from its feelings then perishes into public expression as an object (or “superject”) aiming for novelty. There is a rhythm of Being between object and subject, not an ontological division. This rhythm powers the creative growth of the universe from one occasion of experience to the next. This is the Whiteheadian mantra: “The many become one and are increased by one.” - Matthew Segall

Without Love there is no Truth. And True Truth is always Loving. There is no dichotomy between these terms but only seamless integration. This is the premier centering focus of a Processual Theology of Love. - R.E. Slater

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Note: Generally I do not respond to commentary. I may read the comments but wish to reserve my time to write (or write off the comments I read). Instead, I'd like to see our community help one another and in the helping encourage and exhort each of us towards Christian love in Christ Jesus our Lord and Savior. - re slater

Showing posts with label Films - JRR Tolkien. Show all posts
Showing posts with label Films - JRR Tolkien. Show all posts

Friday, January 26, 2024

The Ultimate Reference Guide to Tolkien's Middle-Earth



The Ultimate Reference Guide
to Tolkien's Middle-Earth

Compiled by R.E. Slater

Below I have listed the history of Tolkien's Middle Earth series and have added to it, around it, before-and-after it, a number of other books which I think may be helpful to the overall reading and understanding on the histories of Middle Earths First, Second, and Third Ages.

I composed this list mainly for myself and in the order I think I would like to read these titles in a roughly chronological order assisted by extra-editions of summaries, atlases, and a few other helpful titles.

Should readers find that the order needs tweaking please let me know.

Otherwise, I am providing helpful summaries from Amazon's listings and reference aids from Wikipedia's site.

Enjoy!

R.E. Slater
January 26, 2024

* * * * * * * *


As an introduction to Tolkien's many tomes I wish to share two items:

1 - The Middle-Earth Series

2 - The History of Arda

This later should be especially helpful to the newbie reader of JRR's titles.

- R.E. Slater


Tolkien's Legendarium

The History of Middle-earth

This article is about the book series. For the fictional history of the continent, see History of Arda.


The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 that collect and analyse much of Tolkien's legendarium, compiled and edited by his son, Christopher Tolkien. The series shows the development over time of Tolkien's conception of Middle-earth as a fictional place with its own peoples, languages, and history, from his earliest notions of a "mythology for England" through to the development of the stories that make up The Silmarillion and The Lord of the Rings. It is not a "history of Middle-earth" in the sense of being a chronicle of events in Middle-earth written from an in-universe perspective; it is instead an out-of-universe history of Tolkien's creative process. In 2000, the twelve volumes were republished in three limited edition omnibus volumes. Non-deluxe editions of the three volumes were published in 2002.

Contents

Some of the content consists of earlier versions of already published works, while other portions are new material. These books are extremely detailed, often analysing a scrap of paper to provide the full evolution of two or even three different versions of a passage that were rewritten over each other. Despite the great amount of material in the twelve volumes, numerous unpublished texts are still known to exist in the Bodleian and Marquette University libraries, and in other papers held by individuals or organizations, such as the Elvish Linguistic Fellowship.

The first five books track the early history of The Silmarillion and related texts. Books six to nine discuss the development of The Lord of the Rings; book nine also discusses the Númenor story in the form of The Notion Club Papers. Books ten and eleven focus on material from the Silmarillion that Tolkien worked on after The Lord of the Rings was published, including the Annals of Beleriand and the Annals of Aman. Book twelve discusses the development of the Appendices to The Lord of the Rings and examines assorted writings from the last years of Tolkien's life.Navigable diagram of Tolkien's legendarium. Most of it is in The History of Middle-earth, though that includes 4 volumes on The History of The Lord of the Rings.

Christopher Tolkien, who edited the books, made the decision not to include any material related to The Hobbit in The History of Middle-earth. His reasons for this were that it had not been intended to form part of the mythology, was a children's story, and had originally not been set in Middle-earth; it was revised during the writing of The Lord of the Rings. The History of The Hobbit was published separately, in two volumes, in 2007 and was edited by John D. Rateliff.

Volumes
Further information: J. R. R. Tolkien bibliography

  1. The History of Middle-earthThe Book of Lost Tales, Part I (1983)
  2. The Book of Lost Tales, Part II (1984)
  3. The Lays of Beleriand (1985)
  4. The Shaping of Middle-earth (1986)
  5. The Lost Road and Other Writings (1987)
  6. The History of The Lord of the Rings
  7. [1] The Return of the Shadow (1988)  -  LOTR? 3 Volume Set? - See Note below
  8. [2] The Treason of Isengard (1989)
  9. [3] The War of the Ring (1990)
  10. [4] Sauron Defeated (1992)
  11. The Later Silmarillion
  12. [1] Morgoth's Ring (1993)
  13. [2] The War of the Jewels (1994)
  14. The Peoples of Middle-earth (1996)

A combined index was published six years after the series was completed as The History of Middle-earth: Index (2002).

A shorter version of volume 9, omitting material not related to The Lord of the Rings, was published as The End of the Third Age; this is usually sold as a boxed set along with volumes 6, 7 and 8 as The History of the Lord of the Rings.



* * * * * * * *

History of Arda
Tolkien meant Arda to be "our own green and solid Earth", seen here in the Baltistan mountains, "at some quite remote epoch in the past".[1]

In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth,[a] began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout , the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees, and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar.

Major themes of the history are the divine creation of the world, followed by the splintering of the created light as different wills come into conflict. Scholars have noted the biblical echoes of God, Satan, and the fall of man here, rooted in Tolkien's own Christian faith. Arda is, as critics have noted, "our own green and solid Earth at some quite remote epoch in the past."[1] As such, it has not only an immediate story but a history, and the whole thing is an "imagined prehistory"[3] of the Earth as it is now.

Music of the Ainur

The supreme deity of Tolkien's universe is Eru Ilúvatar. Ilúvatar created spirits named the Ainur from his thoughts, and some were considered brothers or sisters. Ilúvatar made divine music with them. Melkor, then the most powerful of the Ainur, broke the harmony of the music, until Ilúvatar began first a second theme, and then a third theme, which the Ainur could not comprehend since they were not the source of it. The essence of their song symbolized the history of the whole universe and the Children of Ilúvatar that were to dwell in it – Men and Elves.[T 1]

Then Ilúvatar created , which means "to be," the universe itself, and formed within it Arda, the Earth, "globed within the void": the world together with the three airs is set apart from Avakúma, the "void" without. The first 15 of the Ainur that descended to Arda, and the most powerful ones, were called Valar; the lesser Ainur were called Maiar.[T 1]

Ages of Arda

Spring of Arda (with the time of the Lamps)

The Spring of Arda, lit by the two great lamps. Based on Karen Wynn Fonstad's Atlas of Middle-earth

When the Valar entered Arda, it was still lifeless and had no distinct geographical features. The initial shape of Arda, chosen by the Valar, was much more symmetrical, including the central continent of Middle-earth. Middle-earth was also originally much larger, and was lit by the misty light that veiled the barren ground. The Valar concentrated this light in two large lamps, called Illuin and Ormal. The Vala Aulë forged two great pillar-like mountains, Helcar in the north and Ringil in the south. Illuin was set upon Helcar and Ormal upon Ringil. In the middle, where the light of the lamps mingled, the Valar dwelt at the island of Almaren upon the Great Lake.[T 2]

This period, known as the Spring of Arda, was a time when the Valar had ordered the World as they wished and rested upon Almaren, and Melkor lurked beyond the Walls of Night. During this time animals first appeared, and forests started to grow.[T 2] The Spring of Arda was interrupted when Melkor returned to Arda, creating his fortress of Utumno or Udûn beneath the Iron Mountains in the far north. The period ended when Melkor assaulted and destroyed the Lamps of the Valar. Arda was again darkened, and the fall of the great Lamps spoiled the symmetry of Arda's surface. New continents were created: Aman in the West, Middle-earth proper in the middle, the uninhabited lands (later called the Land of the Sun) in the East. At the site of the northern lamp was later the inland Sea of Helcar, of which Cuiviénen was a bay. At the site of the southern lamp was later the Sea of Ringil. After the destruction of the Two Lamps the Years of the Lamps ended and the Years of the Trees began.[T 2][b]

Years of the Trees

Arda in the Years of the Trees. The Two Trees of Valinor illuminated the Blessed Realm; the rest of Arda was dark at that time. The outlines of the continents are purely schematic.

After the destruction of the Two Lamps and the kingdom of Almaren, the Valar abandoned Middle-earth, moving to the continent of Aman. There they built their Second Kingdom, ValinorYavanna made the Two Trees, named Telperion (the silver tree) and Laurelin (the golden tree) in the land of Valinor. The Trees illuminated Valinor, leaving Middle-earth in darkness. The Years of the Trees were contemporary with Middle-earth's Sleep of Yavanna (recalled by Treebeard as the Great Darkness).[T 2]

The Years of the Trees were divided into two epochs. The first ten Ages, the Years of Bliss, saw peace and prosperity in Valinor. The Eagles, the Ents, and the Dwarves were conceived by ManwëYavanna, and Aulë respectively, but placed into slumber until after the awakening of the Elves. The next ten Ages, called the Noontide of the Blessed Realm, saw Varda kindling the stars above Middle-earth. This was the first time after the Spring of Arda that Middle-earth was illuminated. The first Elves awoke in Cuiviénen in the middle of Middle-earth, marking the start of the First Age of the Children of Ilúvatar, and were soon approached by the Enemy Melkor who hoped to enslave them. Learning of this, the Valar and the Maiar came into Middle-earth and, in the War of the Powers (also called the Battle of the Powers), defeated Melkor and brought him captive to Valinor. This began the period of the Peace of Arda.[T 4]

After the War of the Powers, Oromë of the Valar summoned the Elves to Aman. Many of the Elves went with Oromë on the Great Journey westwards towards Aman. Along the journey several groups of Elves tarried, notably the Nandor and the Sindar. The three clans that arrived at Aman were the Vanyar, the Noldor, and the Teleri. They made their home in Eldamar.[T 5] After Melkor appeared to repent and was released after his servitude of three Ages, he stirred up rivalry between the Noldorin King Finwë's two sons Fëanor and Fingolfin. With the help of Ungoliant, he killed Finwë and stole the Silmarils, three gems crafted by Fëanor that contained light of the Two Trees, from his vault, and destroyed the Trees of the Valar. The world was again dark, save for the faint starlight.[T 6][T 7]

Bitter at the Valar's inactivity, Fëanor and his house left to pursue Melkor, cursing him with the name "Morgoth".[T 8] While his brother Finarfin chose to stay in Valinor, a larger host led by Fingolfin followed Fëanor. They reached Alqualondë, the port-city of the Teleri, who forbade them from taking their ships for the journey to Middle-earth. The first Kinslaying thus ensued, and the Noldor that partook were exiled indefinitely. Fëanor and his children in return swore an oath to retake the Silmarils, that the Valar turned to a curse over the house of Fëanor. Fëanor's host sailed on the boats, leaving Fingolfin's host behind – who crossed over to Middle-earth on the Helcaraxë or Grinding Ice in the far north, losing many. The War of the Great Jewels followed, and lasted until the end of the First Age. Meanwhile, the Valar took the last living fruit of Laurelin and the last living flower of Telperion and used them to create the Moon and Sun, which remained a part of Arda, but were separate from Ambar (the world). The first rising of the sun over Ambar heralded the end of the Years of the Trees, and the start of the Years of the Sun, which last to the present day.[T 9]

Years of the Sun

The Years of the Sun were the last of the three great time-periods of Arda. They began with the first sunrise in conjunction with the return of the Noldor to Middle-earth, and last until the present day.[T 10] The Years of the Sun began towards the end of the First Age of the Children of Ilúvatar and continued through the SecondThird, and part of the Fourth in Tolkien's stories. Tolkien estimated that modern times would correspond to the sixth or seventh age.[T 11]

Tolkien situated the History of Arda as Earth's prehistory.[T 11]
Age
Duration
years
Began
years ago
Events
From creation until the Spring of Arda, with
the time of the Lamps
33,57360,962End of the Spring of Arda:
   Melkor destroys the Two Lamps
   Arda's symmetry broken
   Aman and Middle-earth created
   The Valar move to Aman
Years of the Trees14,37327,425   Yavanna creates the Two Trees of Valinor
   Varda lights the stars and the Elves awaken, First Age begins
   Melkor is defeated and imprisoned
   Ungoliant destroys the Two Trees
   Melkor steals the Silmarils
Years of the Sun
First Age (cont'd)59013,052Awakening of Men
War of the Jewels
War of Wrath:
   Morgoth's defeat in Beleriand
   Thangorodrim broken
   Most of Beleriand drowned
Second Age3,44112,462Akallabêth:
   Sauron's first downfall
   World made round
   Númenor drowned
   Valinor removed from Arda
Third Age3,0219,021War of the Ring:
   Final defeat of Sauron
   Destruction of the One Ring
   Elves depart from Middle-earth
Fourth Age????6,000   Middle-earth breaks up
   Continents rearrange
   To present day, modern life
Fifth Age
Sixth Age?
Seventh Age?[T 11]
????

Ages of the Children of Ilúvatar

The First Age of the Children of Ilúvatar, or Eruhíni, began during the Years of the Trees when the Elves awoke in Cuiviénen in the middle-east of Middle-earth. This marked the start of the years when the Children of Ilúvatar were active in Middle-earth.[T 12]

First Age

Arda in the First Age. The outlines of the continents are purely schematic.

The First Age of the Children of Ilúvatar, also referred to as the Elder Days in The Lord of the Rings, began during the Years of the Trees when the Elves awoke at Cuiviénen, and hence the events mentioned above under Years of the Trees overlap with the beginning of the First Age.[T 12]

Having crossed into Middle-earth, Fëanor was soon lost in an attack on Morgoth's Balrogs – but his sons survived and founded realms, as did the followers of his half-brother Fingolfin, who reached Beleriand after Fëanor's death. In the Dagor Aglareb or Glorious Battle, the armies of the Noldor led by Fingolfin and Maedhros attacked from the east and west, destroying the invading Orcs and laid siege to Morgoth's stronghold Angband. The Noldor for a time maintained the Siege of Angband, resulting in the Long Peace. This Peace lasted hundreds of years, during which time Men arrived over the Blue Mountains.[T 13] Morgoth broke the siege in the Dagor Bragollach, or the Battle of Sudden Flame.[T 14] The Elves, Men, and Dwarves were all disastrously defeated in the Nírnaeth Arnoediad or Battle of Unnumbered Tears,[T 15] and one by one, the kingdoms fell, even the hidden ones of Doriath[T 16] and Gondolin.[T 17]

At the end of the age, all that remained of free Elves and Men in Beleriand was a settlement at the mouth of the River Sirion and another on the Isle of Balar. Eärendil possessed the Silmaril which his wife Elwing's grandparents, Beren and Lúthien, had taken from Morgoth. But Fëanor's sons still maintained that all the Silmarils belonged to them, and so there were two more Kinslayings.[T 16][T 18] Eärendil and Elwing crossed the Great Sea to beg the Valar for aid against Morgoth. They responded, sending forth a great host. In the War of Wrath, Melkor was utterly defeated. He was expelled into the Void and most of his works were destroyed, bringing the First Age to an end. This came at a terrible cost, however, as most of Beleriand itself was sunk.[T 18]

Second Age

The Second Age is characterized by the establishment and flourishing of Númenor, the rise of Sauron in Middle-earth, the creation of the Rings of Power and the Ringwraiths, and the early wars of the Rings between Sauron and the Elves. It ended with Sauron's defeat by the Last Alliance of Elves and Men.[T 19][c]

At the start of the Second Age, the Men who had remained faithful were given the island of Númenor, in the middle of the Great Sea, and there they established a powerful kingdom. The White Tree of Númenor was planted in the King's city of Armenelos; and it was said that while that tree stood in the King's courtyard, the reign of Númenor would endure. The Elves were granted pardon for the sins of Fëanor, and were allowed to return home to the Undying Lands.[T 19] The Númenóreans became great seafarers, and were learned, wise, and had a lifespan beyond other men. At first, they honored the Ban of the Valar, never sailing into the Undying Lands. They went east to Middle-earth and taught the men living there valuable skills. After a time, they became jealous of the Elves for their immortality. Sauron, Morgoth's chief servant, was still active. As Annatar, in disguise he taught the Elves of Eregion the craft of creating Rings of Power. Seven Rings were made for the Dwarves, while Nine were made for Men who later became known as the Ringwraiths. He built a stronghold called Barad-dûr and secretly forged the One Ring in the fires of Mount Doom to control the other rings and their bearers. Celebrimbor, a grandson of Fëanor, forged three mighty rings on his own: Vilya, possessed first by the Elven king Gil-galad, then by Elrond; Nenya, wielded by Galadriel; and Narya, given by Celebrimbor to Círdan, who gave it to Gandalf.[T 19]

As soon as Sauron put on the One Ring, the Elves realized that they had been betrayed and removed the Three (Sauron eventually obtained the Seven and the Nine. While he was unable to suborn the Dwarf ringbearers, he had more success with the Men who bore the Nine; they became the Nazgûl or Ringwraiths). Sauron then made war on the elves and nearly destroyed them utterly during the Dark Years, but when it seemed defeat was imminent, the Númenóreans joined the battle and completely crushed the forces of Sauron. Sauron never forgot the ruin brought on his armies by the Númenóreans, and made it his goal to destroy them.[T 19]

Towards the end of the age, the Númenóreans became increasingly haughty. Now they sought to dominate other men and to establish kingdoms. Centuries after Tar-Minastir's engagement, when Sauron had largely recovered, Ar-Pharazôn, the last and most powerful of the Kings of Númenor, humbled Sauron – his armies deserting in the face of Númenor's might – and brought him to Númenor as a hostage, although this was Sauron's goal. At this time still beautiful in appearance, Sauron gained Ar-Pharazôn's trust and became high priest in the cult of Melkor. At this time, the Faithful (who still worshipped the one god, Eru Ilúvatar), were persecuted openly by those called the King's Men, and were sacrificed in the name of Melkor. Eventually, Sauron convinced Ar-Pharazôn to invade Aman, promising him that he would thus obtain immortality.[T 19] Amandil, chief of the Faithful, sailed westward to warn the Valar. His son Elendil and grandsons Isildur and Anárion prepared to flee eastwards, taking with them a seedling of the White Tree of Númenor before Sauron destroyed it, and the palantíri, gifts of the elves. When the King's forces set foot on Aman, the Valar laid down their guardianship of the world and called on Ilúvatar to intervene.[T 19]

The Downfall of Númenor and the Changing of the World.[4]

The world was changed into a sphere and the continent of Aman was removed, although a sailing route from Middle-earth to Aman, accessible to the Elves but not to mortals, persisted. Númenor was utterly destroyed, as was the fair body of Sauron; however, his spirit returned to Mordor, where he again took up the One Ring, and gathered his strength once more. Elendil, his sons and the remainder of the Faithful sailed to Middle-earth, where they founded the realms in exile of Gondor and Arnor.[T 19]

Sauron arose again and challenged them. The Elves allied with Men to form the Last Alliance of Elves and Men. For seven years, the Alliance laid siege to Barad-dûr, until at last Sauron himself entered the field. He slew Elendil, High King of Gondor and Arnor, and Gil-galad, the last High King of the Noldor in Middle-earth. However, Isildur took up the hilt of Narsil, his father's shattered sword, and cut the One Ring from Sauron's hand. Sauron was defeated, but not utterly destroyed. Afterward, Isildur ignored the counsel of Elrond, and rather than destroy the One Ring in the fires of Mount Doom, he kept it as weregild for his dead father. But the Ring betrayed him and slipped from his finger as he was escaping from an Orc ambush at the Gladden Fields. Isildur was killed by an orc arrow, and the Ring was lost in the Anduin River.[T 19]

Third Age

The Third Age lasted for 3021 years, beginning with the first downfall of Sauron, when he was defeated by the Last Alliance of Elves and Men following the downfall of Númenor and ending with the War of the Ring and final defeat of Sauron, the events narrated in The Lord of the Rings. Virtually the entire history of the Third Age takes place in Middle-earth.[T 23] The Third Age saw the rise in power of the realms of Arnor and Gondor, and their fall. Arnor was divided into three petty Kingdoms, which fell one by one in the wars with Sauron's vassal kingdom of Angmar, whilst Gondor fell victim to Kin-strife, plague, Wainriders, and Corsairs. In this time, the line of the Kings of Gondor ends, with the House of the Stewards ruling in their stead. Meanwhile, the heirs of Isildur from the fallen kingdom of Arnor wander Middle-earth, aided only by Elrond in Rivendell; but the line of rightful heirs remains unbroken throughout the age.[T 23]

This age was characterized by the waning of the Elves. In the beginning of the Third Age, many Elves left for Valinor because they were disturbed by the recent war. However, Elven kingdoms still survived in Lindon, Lothlórien, and Mirkwood. Rivendell also became a prominent haven for the Elves and other races. Throughout the Age, they chose not to mingle much in the matters of other lands, and only came to the aid of other races in time of war. The Elves devoted themselves to artistic pleasures, and tended to the lands which they occupied. The gradual decline of Elven populations occurred throughout the Age as the rise of Sauron came to dominate Middle-earth. By the end of the Third Age, only fragments of the once-grand Elven civilization survived in Middle-earth.[T 23]

The Wizards arrived around a thousand years[T 23] after the start of this period to aid the Free Peoples, most importantly Gandalf and Saruman. The One Ring was found by Sméagol but, under the power of the Ring and ignorant of its true nature, he retreated with the Ring to a secret life under the Misty Mountains.[T 23] Middle-earth's devastating Great Plague originated in its vast eastern region, Rhûn, where it caused considerable suffering.[T 24] By the winter of late T.A. 1635 the Plague spread from Rhûn into Wilderland, on the east of Middle-earth's western lands; in Wilderland it killed more than half the population.[T 25] In the following year the Great Plague spread into Gondor and then Eriador. In Gondor the Plague caused many deaths, including king Telemnar, his children, and the White Tree; the population of the capital city Osgiliath was decimated, and government of the kingdom was transferred to Minas Tirith. In Eriador, the nascent Hobbit-realm of the Shire suffered "great loss" in what they called the Dark Plague.[T 23]

The so-called Watchful Peace began in T.A. 2063, when Gandalf went to Dol Guldur and the evil dwelling there (later known to be Sauron) fled to the far east. It lasted until T.A. 2460, when Sauron returned with new strength. During this period Gondor strengthened its borders, keeping a watchful eye on the east, as Minas Morgul was still a threat on their flank and Mordor was still occupied with Orcs. There were minor skirmishes with Umbar. In the north, Arnor was long gone, but the Hobbits of the Shire prospered, getting their first Took Thain, and colonizing Buckland. The Dwarves of Durin's folk under Thorin I abandoned Erebor, and left for the Grey Mountains, where most of their kin now gathered. Meanwhile, Sauron created a strong alliance between the tribes of Easterlings, so that when he returned he had many Men in his service.[T 23]

The main events of The Hobbit occur in T.A. 2941.[T 23] By the time of The Lord of the RingsSauron had recovered, and was seeking the One Ring. The events of the ensuing War of the Ring leading to the end of the Third Age is the subject of The Lord of the Rings, and summarized in Of the Rings of Power and the Third Age. After the defeat of Sauron, Aragorn takes his place as King of the Reunited Kingdom of Arnor and Gondor, restoring the line of Kings from the Stewards of Gondor. Aragorn marries the daughter of Elrond, Arwen, thus for the last time adding Elvish blood to the royal line. As the age ends, Gandalf, Frodo Baggins and many of the remaining Elves of Middle-earth sail from the Grey Havens to Aman.[T 23]

Fourth Age

With the end of the Third Age began the Dominion of Men. Elves were no longer involved in Human affairs, and most Elves left for Valinor; those that remain behind "fade" and diminish. A similar fate meets the Dwarves: although Erebor becomes an ally of the Reunited Kingdom, there are indications that Khazad-dûm is refounded together with a colony established by Gimli in the White Mountains. Together, they disappear from human history.[T 26]

Eldarion, son of Aragorn II Elessar and Arwen Evenstar, became King of the Reunited Kingdom in F.A. 120. Aragorn gave him the tokens of his rule, and then surrendered his life willingly, as his ancestors had done thousands of years before. Arwen left him to rule alone, passing away to the now-empty land of Lórien where she died.[T 27] Upon the death of Aragorn, Legolas departed Middle-earth for Valinor, taking Gimli with him and ending the Fellowship of the Ring in Middle-earth.[T 28]

Tolkien once considered writing a sequel to The Lord of the Rings, called The New Shadow, which would have taken place in Eldarion's reign, and in which Eldarion deals with his people turning to evil practices – in effect, a repetition of the history of Númenor.[T 29] In a 1972 letter concerning this draft, Tolkien mentioned that Eldarion's reign would have lasted for about 100 years after the death of Aragorn.[T 30][d] His realm was to be "great and long-enduring", but the lifespan of the royal house was not to be restored; it would continue to wane until it was like that of ordinary Men.[T 31]

Dagor Dagorath

Tolkien likened the Last Battle, Dagor Dagorath, that ends "the world" (Arda) to the Norse Ragnarök.[T 32] Engraving Battle of the Doomed Gods by Friedrich Wilhelm Heine, 1882

In a letter, Tolkien wrote that "This legendarium [The Silmarillion] ends with a vision of the end of the world [after all the ages have elapsed], its breaking and remaking, and the recovery of the Silmarilli and the 'light before the Sun' – after a final battle [Dagor Dagorath] which owes, I suppose, more to the Norse vision of Ragnarök than to anything else, though it is not much like it."[T 32] The concept of Dagor Dagorath appears in Tolkien's manuscripts that were published by his son Christopher in The Shaping of Middle-earth but not in the published Silmarillion, where the eventual fate of Arda is left open-ended in the closing lines of the Quenta Silmarillion.[T 33]

Analysis

Creation and sub-creation

Scholars, noting that Tolkien was a devout Catholic, have stated that the Ainulindalë creation myth echoes the Christian account of creationBrian Rosebury calls its prose "appropriately 'scriptural'".[5] Verlyn Flieger cites Tolkien's poem Mythopoeia ("Creation of Myth"), where he speaks of "man, sub-creator, the refracted light / through whom is splintered from a single White / to many hues, and endlessly combined / in living shapes".[T 34][6] She analyses in detail the successive splintering of the original created light, via the Two Lamps, the Two Trees, and the Silmarils, as the wills of different beings conflict.[7] She states that for Tolkien, this creative light was equated with the Christian Logos, the Divine Word.[6] Jane Chance remarks on the biblical theme of the conflict between the creator Eru Ilúvatar and the fallen Vala Melkor/Morgoth, mirroring that between God and Satan. Similarly, she notes, the struggles of Elves and Men corrupted by Morgoth and his spiritual descendant Sauron echo those of Adam and Eve tempted by Satan in the Garden of Eden, and the fall of man.[8]

Flieger has observed that the splintering of the created light is a process of decline and fall from a once-perfect state. She identifies a theory of decline that influenced Tolkien, namely Owen Barfield's theory of language in his 1928 book Poetic Diction. The central idea was that there was once a unified set of meanings in an ancient language, and that modern languages are derived from this by fragmentation of meaning.[9] Tolkien took this to imply the separation of peoples, in particular the complicated and repeated sundering of the Elves.[10]

A dark mythology

Scholars including Flieger have noted that if Tolkien intended to create a mythology for England,[11] in the history of Arda as told in The Silmarillion he had made it very dark.[12] John Garth has identified his experiences in the First World War as formative; he began his Middle-earth writings at that time.[13] Flieger suggests that Middle-earth arose not only from Tolkien's own wartime experience, but out of that of his dead schoolfriends Geoffrey Bache Smith and Rob Gilson.[14] Janet Brennan Croft writes that Tolkien's first prose work after returning from the war was The Fall of Gondolin, and that it is "full of extended and terrifying scenes of battle"; she notes that the streetfighting is described over 16 pages.[15]

Greek mythology

Among the many influences that scholars have proposed as possibly important on the history of Arda is Greek mythology. The disappearance of the island of Númenor recalls Atlantis.[T 35][T 36] The Valar borrow many attributes from the Olympian gods. Like the Olympians, the Valar live in the world, but on a high mountain, separated from mortals; Ulmo, Lord of the Waters, owes much to Poseidon, and Manwë, the Lord of the Air and King of the Valar, to Zeus.[16][17] Tolkien compared Beren and Lúthien with Orpheus and Eurydice, but with the gender roles reversed.[T 35] He mentioned Oedipus, too, in connection with Túrin in the Children of Húrin.[T 32] Flieger has compared Fëanor with Prometheus: they are associated with fire, and are punished for rebelling against the gods' decrees.[18]

"Imagined prehistory"

Tolkien imagined Arda as the Earth in the distant past.[T 11][1] With the loss of all its peoples except Man, and the reshaping of the continents, all that is left of Middle-earth is a dim memory in folklorelegend, and old words.[19]

Arda is summed up by the Tolkien scholar Paul H. Kocher as "our own green and solid Earth at some quite remote epoch in the past."[1] Kocher notes Tolkien's statement in the Prologue, equating Middle-earth with the actual Earth, separated by a long period of time:

Those days, the Third Age of Middle-earth, are now long past, and the shape of all lands has been changed; but the regions in which Hobbits then lived were doubtless the same as those in which they still linger: the North-West of the Old World, east of the Sea. Of their original home the Hobbits in Bilbo’s time preserved no knowledge.[T 37]

In a letter written in 1958, Tolkien states that while the time is invented, the place, planet Earth, is not (italics in original):[T 11]

I have, I suppose, constructed an imaginary time, but kept my feet on my own mother-earth for place. I prefer that to the contemporary mode of seeking remote globes in 'space'... Many reviewers seem to assume that Middle-earth is another planet![T 11]

In the same letter, he places the beginning of the Fourth Age some 6,000 years in the past:[T 11]

I imagine the gap [since the War of the Ring and the end of the Third Age] to be about 6000 years; that is we are now at the end of the Fifth Age if the Ages were of about the same length as Second Age and Third Age. But they have, I think, quickened; and I imagine we are actually at the end of the Sixth Age, or in the Seventh.[T 11]

The Tolkien scholar Richard C. West writes that one of the "very final passages" of the internal chronology of Lord of the RingsThe Tale of Aragorn and Arwen, ends not just with Arwen's death, but the statement that her grave will remain on the hill of Cerin Amroth in what was Lothlorien "until the world is changed, and all the days of her life are utterly forgotten by men that come after ... and with the passing of [Arwen] Evenstar no more is said in this book of the days of old."[3] West observes that this points up a "highly unusual" aspect of Tolkien's legendarium among modern fantasy: it is set "in the real world but in an imagined prehistory."[3] As a result, West explains, Tolkien can build what he likes in that distant past, elves and wizards and hobbits and all the rest, provided that he tears it all down again, so that the modern world can emerge from the wreckage, with nothing but "a word or two, a few vague legends and confused traditions..." to show for it.[3]

West praises and quotes Kocher on Tolkien's imagined prehistory and the implied process of fading to lead from fantasy to the modern world:[3]

At the end of his epic Tolkien inserts ... some forebodings of [Middle-earth's] future which will make Earth what it is today ... he shows the initial steps in a long process of retreat or disappearance by which all other intelligent species, which will leave man effectually alone on earth... Ents may still be there in our forests, but what forests have we left? The process of extermination is already well under way in the Third Age, and ... Tolkien bitterly deplores its climax today."[20]

The Tolkien scholar Stuart D. Lee and the medievalist Elizabeth Solopova make "an attempt at a summary",[19] which runs as follows. The Silmarillion describes events "presented as factual"[19] but taking place before Earth's actual recorded history. What happened is processed through the generations as folk-myths and legends, especially among the (Old) English. Before the Fall of Númenor, the world was flat. In the Fall, it became round; further geological events reshaped the continents into the Earth as it now is. All the same, the old tales survive here and there, resulting in mentions of Dwarves and Elves in real Medieval literature. Thus, Tolkien's imagined mythology "is an attempt to reconstruct our pre-history."[19] Lee and Solopova comment that "Only by understanding this can we fully realize the true scale of his project and comprehend how enormous his achievement was."[19]

The poet W. H. Auden wrote in The New York Times that "no previous writer has, to my knowledge, created an imaginary world and a feigned history in such detail. By the time the reader has finished the trilogy, including the appendices to this last volume, he knows as much about Tolkien's Middle Earth, its landscape, its fauna and flora, its peoples, their languages, their history, their cultural habits, as, outside his special field, he knows about the actual world."[e][21] The scholar Margaret Hiley comments that Auden's "feigned history" echoes Tolkien's own statement in the foreword to the second edition of Lord of the Rings that he much preferred history, true or feigned, to allegory; and that Middle-earth's history is told in The Silmarillion.[22]

Notes

  1. ^ Christopher Tolkien called his 12-volume set The History of Middle-earth; scholars such as Brian Rosebury have noted that it makes more sense to call it the history of Arda, as Middle-earth was just one continent, and the early part of the history largely concerns another continent, Aman (Valinor), not to mention the creation and destruction of the island of Númenor.[2]
  2. ^ The meaning of "years" in this context is problematic. The Valian years measure the passage of time after the arrival of the Valar in Arda. The Valian years were measured in Valinor after the first sunrise, but Tolkien provided no dates for events in Aman after that point. Valian years are not used for Beleriand and Middle-earth. In the 1930s and 1940s Tolkien used a figure which fluctuated slightly around ten before settling on 9.582 solar years in each Valian year. However, in the 1950s, Tolkien decided to use a much greater value of 144 solar years per Valian year.[T 3]
  3. ^ "The Tale of Years" in Appendix B of The Lord of the Rings outlines the major events of the Second Age, especially as they relate to the Rings of Power and the events and characters of The Lord of the Rings.[T 19] Appendix A contains genealogies of the royal house of Númenor. Appendix D gives details of the Númenórean calendar, including special intercalation in the years 1000, 2000 and 3000, and notes on how this system of intercalation was disrupted by the designation of S.A. 3442 the first year of the Third Age. "After the Downfall in S.A. 3319, the system was maintained by the exiles, but it was much dislocated by the beginning of the Third Age with a new numeration: S.A. 3442 became T.A. 1. By making T.A. 4 a leap year instead of T.A. 3 (S.A. 3444) 1 more short year of only 365 days was intruded".[T 20] In addition, several sections of Unfinished Tales deal extensively with Númenor and several of its kings.[T 21] At the end of The Silmarillion, "Akallabêth" recounts the fall of Númenor and its kings, and the rise of Gondor and Arnor.[T 22]
  4. ^ Tolkien wrote "I have written nothing beyond the first few years of the Fourth Age. (Except the beginning of a tale supposed to refer to the end of the reign of Eldarion about 100 years after the death of Aragorn. ...)"[T 30]
  5. ^ Auden only had The Lord of the Rings to go on in 1956, but he commented that "From the appendices readers will get tantalizing glimpses of the First and Second Ages" and hoped that as the "legend of these" had already been written, readers would not have to wait too long for them.[21]


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My Recommended Reading Guide
to Middle-Earth

Compiled by R.E. Slater

HOME = History of Middle-Earth



THE HISTORY OF MIDDLE-EARTH INDEX

Complete integrated indices of History of Middle-earth volumes to complement new series. For the first time every index from each of the twelve volumes of The History Of Middle-earth has been published together in a single volume -- to create a supreme index charting the writing of Tolkien's masterpieces The Lord of The Rings and The Silmarillion. This stunning work of reference complements the fascinating History of Middle-earth series, now repackaged to complement the distinctive and classic style of the 'black cover' A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.



ATLAS OF MIDDLE-EARTH

Karen Wynn Fonstad's THE ATLAS OF MIDDLE-EARTH is an essential volume that will enchant all Tolkien fans. Here is the definitive guide to the geography of Middle-earth, from its founding in the Elder Days through the Third Age, including the journeys of Bilbo, Frodo, and the Fellowship of the Ring. Authentic and updated -- nearly one third of the maps are new, and the text is fully revised -- the atlas illuminates the enchanted world created in THE SILMARILLION, THE HOBBIT, and THE LORD OF THE RINGS.

Hundreds of two-color maps and diagrams survey the journeys of the principal characters day by day -- including all the battles and key locations of the First, Second, and Third Ages. Plans and descriptions of castles, buildings, and distinctive landforms are given, along with thematic maps describing the climate, vegetation, languages, and population distribution of Middle-earth throughout its history. An extensive appendix and an index help readers correlate the maps with Tolkien's novels.



THE SILMARILLION

The tales of The Silmarillion were the underlying inspiration and source of J.R.R. Tolkien's imaginative writing; he worked on the book throughout his life but never brought it to a final form. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of Tolkien's world, the ancient drama to which characters in The Lord of the RIngs look back and in which some of them, such as Elrond and Galadriel, took part.

The title Silmarillion is shortened from Quenta Silmarillion, "The History of the Silmarils," the three great jewels created by Feanor, most gifted of the Elves, in which he imprisoned the light of the Two Trees that illumined Valinor, the land of the gods. When Morgoth, the first Dark Lord, destroyed the Trees, that light lived on only in the Silmarils; Morgoth seized them and set them in his crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Feanor and his people against the gods, their exile in Middle-earth, and their war, hopeless despite all the heroisim of Elves and Men, against the great Enemy.

The book includes several other, shorter works beside The Silmarillion proper. Preceding it are "Ainulindale," the myth of Creation, and "Valaquenta," in which the nature and powers of each of the gods is set forth. After The Silmarillion is "Akallabeth," the story of the downfall of the great island kingdom of Numenor at the end of the Second Age; completing the volume is "Of the Rings of Power and the Third Age," in which the events of The Lord of the Rings are treated in the manner of The Silmarillion.

This new edition of The Silmarillion contains the revised and corrected "second edition" text and, by way of introduction, a letter written by J.R.R. Tolkien in 1951, which provides a brilliant exposition of his conception of the earlier Ages. It also contains almost fifty full-color illustrations by the artist Ted Nasmith, many of which appear for the first time.




THE SILMARILLION:
Illustrated by J.R.R. Tolkien
(Tolkien Editions) (Tolkien Illustrated Editions)

For the first time ever, a very special edition of the forerunner to The Lord of the Rings, illustrated throughout in color by J.R.R. Tolkien himself and with the complete text printed in two colors. The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.

The Silmarilli were three perfect jewels, fashioned by Fëanor, most gifted of the Elves, and within them was imprisoned the last Light of the Two Trees of Valinor. But the first Dark Lord, Morgoth, stole the jewels and set them within his iron crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth.

The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all the heroism, against the great Enemy. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part.

The book also includes several shorter works: the Ainulindalë, a myth of the Creation, and the Valaquenta, in which the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings.

Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher Tolkien, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy.

This definitive new edition includes, by way of an introduction, a letter written by Tolkien in 1951 which provides a brilliant exposition of the earlier Ages, and for the first time in its history is presented with Tolkien’s own paintings and drawings, which reveal the breathtaking grandeur and beauty of his vision of the First Age of Middle-earth.



THE COMPLETE HISTORY
OF MIDDLE-EARTH

Box Set: Three Volumes Comprising All Twelve Books
of The History of Middle-earth

by J.R.R. Tolkien (Author) , J. R. R. Tolkien (Author),
Christopher Tolkien (Author)

This very special collector’s edition brings together all twelve books into three hardcover volumes—more than 5,000 pages of fascinating Tolkien material—and places them in one matching box. The History Of Middle-Earth Boxed Set is a treasured boxed set for every Tolkien fan.

J.R.R. Tolkien is famous the world over for his unique literary creation, exemplified in The Hobbit, The Lord of the Rings, and The Silmarillion. What is less well known, however, is that he also produced a vast amount of further material that greatly expands upon the mythology and numerous stories of Middle-earth, and which gives added life to the thousand-year war between the Elves and the evil spirit Morgoth, and his terrifying lieutenant, Sauron.

It was to this enormous task of literary construction that Tolkien’s youngest son and literary heir, Christopher, applied himself to produce the monumental and endlessly fascinating series of twelve volumes, The History of Middle-earth.


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The Book of Lost Tales was the first major work of imagination by J.R.R. Tolkien, begun in 1916-17 when he was twenty-five years old and left incomplete several years later. It stands at the beginning of the entire conception of Middle-earth and Valinor, for these tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend, they are set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol (or AElfwine) to Tol Eressea, the Lonely Isle, where elves dwelt; from him they learned their true history, the Lost Tales of Elfinesse. In these Tales are found the earliest accounts and original ideas of Gods and Elves, Dwarves, Balrogs, and Orcs; of the Silmarils and the Two Trees of Valinor; of Nargothrond and Gondolin; of the geography and cosmology of Middle-earth. Volume One contains the tales of The Music of the Ainur, The Building of valinor, The Chaining of Melko, The coming of the Elves and The Flight of the Noldoli, among others. Each tale is followed by a short essay by Christopher Tolkien, the author's son and literary executor.

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HOME #1-5


THE HISTORY OF MIDDLE-EARTH,
Part One

This new hardcover edition brings together the first five volumes of The History of Middle-earth—The Book of Lost Tales, Parts 1 and 2, The Lays of Beleriand,The Shaping of Middle-earth, and The Lost Road—into one volume.

J.R.R. Tolkien is famous the world over for his unique literary creation, exemplified in The Hobbit, The Lord of the Rings, and The Silmarillion. What is less well known, however, is that he also produced a vast amount of further material that greatly expands upon the mythology and numerous stories of Middle-earth, and which gives added life to the thousand-year war between the Elves and the evil spirit Morgoth, and his terrifying lieutenant, Sauron.

It was to this enormous task of literary construction that Tolkien’s youngest son and literary heir, Christopher, applied himself to produce the monumental and endlessly fascinating series of twelve volumes, The History of Middle-earth.


* * * * * * * *

HOME #6-9


THE HISTORY OF MIDDLE-EARTH,
Part Two

This new hardcover edition brings together volumes VI–IX of The History of Middle-earth—The Return of the Shadow, The Treason of Isengard, The War of the Ring, and Sauron Defeated—into one volume. Together these books give a fascinating and complete account of the writing of The Lord of the Rings, and provide the reader with numerous additional scenes, together with rare maps and illustrations, which never made it into the final book, including the epilogue in its entirety.

J.R.R. Tolkien is famous the world over for his unique literary creation, exemplified in The Hobbit, The Lord of the Rings, and The Silmarillion. What is less well known, however, is that he also produced a vast amount of further material that greatly expands upon the mythology and numerous stories of Middle-earth, and which gives added life to the thousand-year war between the Elves and the evil spirit Morgoth, and his terrifying lieutenant, Sauron.

It was to this enormous task of literary construction that Tolkien’s youngest son and literary heir, Christopher, applied himself to produce the monumental and endlessly fascinating series of twelve volumes, The History of Middle-earth.


* * * * * * * *

HOME #10-12


THE HISTORY OF MIDDLE-EARTH,
Part Three

This new hardcover edition brings together the final three volumes of The History of Middle-earth—Morgoth’s Ring,The War of the Jewels, and The Peoples of Middle-earth.

J.R.R. Tolkien is famous the world over for his unique literary creation, exemplified in The Hobbit, The Lord of the Rings, and The Silmarillion. What is less well known, however, is that he also produced a vast amount of further material that greatly expands upon the mythology and numerous stories of Middle-earth, and which gives added life to the thousand-year war between the Elves and the evil spirit Morgoth, and his terrifying lieutenant, Sauron.

It was to this enormous task of literary construction that Tolkien’s youngest son and literary heir, Christopher, applied himself to produce the monumental and endlessly fascinating series of twelve volumes, The History of Middle-earth.


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HOME 1 - THE BOOK OF LOST TALES,
Part One

The Book of Lost Tales 1 stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narratIve frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true story, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world.



HOME 1 - THE BOOK OF LOST TALES,
Part Two

The Book of Lost Tales 2 (The History of Middle-Earth, Vol. 2)viii, 391 pp. "The Book of Lost Tales was the first major work of imagination by J.R.R. Tolkien, begun in 1916, when he was twenty-five years old, and left incomplete several years later. It stands at the beginning of the entire conception of Middle-earth and Valinor, for the Lost Tales were the first form of the myths and legends that came to be called The Silmarillion. Embedded in English legend and association, they are set in the narrative frame of the great westward voyage of a mariner named Eriel (or AElfwine). His destination is Tol Eressea, the Lonely Isle where Elves dwell; from them he learns their true history, the Lost Tales of Elfinesse. The Tales include the earliest accounts of Gods and Elves, Dwarves, Balrogs, and Orcs; of the Silmarils and the Two Trees of Valinor; of Nargothrond and Gondolin; of the geography and cosmography of their invented world. The Book of Lost Tales is published in two volumes. The first contains the Tales of Valinor; and this second past includes Beren and Luthien, Turin and the Dragon, and the only full narratives of the Necklace of the Dwarves and the Fall of Gondolin. Each tale is followed by a commentary, together with associated poems, and each volume contains extensive information on names and vocabulary of the earliest Elvish languages. Additional books in this series will extend the history of Middle-earth as it was refined and enlarged in later years and will include the long Lays of Beleriand, the Ambarkanta or Shape of the World, the Lhammas or Account of Tongues, annals, maps, and many other previously unpublished writings of J.R.R. Tolkien." FANTASY SCIENCE FICTION HISTORY MIDDLE EARTH JRR TOLKIEN BOOK OF LOST TALES



HOME 3 - THE LAYS OF BELERIAND

The third volume that contains the early myths and legends which led to the writing of J.R.R. Tolkien’s epic tale of war, The Silmarillion.This, the third volume of The History of Middle-earth, gives us a privileged insight into the creation of the mythology of Middle-earth, through the alliterative verse tales of two of the most crucial stories in Tolkien’s world—those of Turien and Luthien. The first of the poems is the unpublished Lay of The Children of Hurin, narrating on a grand scale the tragedy of Turin Turambar. The second is the moving Lay of Leithian, the chief source of the tale of Beren and Luthien in The Silmarillion, telling of the Quest of the Silmaril and the encounter with Morgoth in his subterranean fortress.Accompanying the poems are commentaries on the evolution of the history of the Elder Days, which was much developed during the years of the composition of the two Lays. Also included is the notable criticism in detail of the Lay of Lethurian by C.S. Lewis, Tolkien's friend and colleague, who read the poem in 1929. By assuming that this poem is actually a fragment from a past lost in history, Lewis underlined the remarkable power of its author's imaginative talents and academic competence.



HOME 4 - THE SHAPING OF MIDDLE-EARTH:
The Quenta, the Ambarkanta, and the Annals,
Together With the Earliest 'Silmarillion' and the First Map

The Shaping Of Middle-Earth is the fourth volume that contains the early myths and legends which led to the writing of J.R.R. Tolkien’s epic tale of war, The Silmarillion.

In this fourth volume of The History of Middle-earth, the shaping of the chronological and geographical structure of the legends of Middle-earth and Valinor is spread before us.

We are introduced to the hitherto unknown Ambarkanta or “Shape of the World”, the only account ever given of the nature of the imagined Universe, ccompanied by maps and diagrams of the world before and after the cataclyusms of The War of the Gods and the Downfall of Numenor. The first map of Beleriend is also reproduced and discussed.

In The Annals of Valinor and The Annals of Beleriend we are shown how the chronology of the First Age was moulded: and the tale is told of Aelfwine, the Englishman who voyaged into the True West and came to Tol Eressea, Lonely Isle, where he learned the ancient history of Elves and Men.
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The fourth volume that contains the early myths and legends which led to the writing of Tolkien's epic tale of war, The Silmarillion. In this fourth volume of The History of Middle-earth, the shaping of the chronological and geographical structure of the legends of Middle-earth and Valinor is spread before us. We are introduced to the hitherto unknown Ambarkanta or "Shape of the World", the only account ever given of the nature of the imagined Universe, ccompanied by maps and diagrams of the world before and after the cataclyusms of The War of the Gods and the Downfall of Numenor. The first map of Beleriend is also reproduced and discussed. In The Annals of Valinor and The Annals of Beleriend we are shown how the chronology of the First Age was moulded: and the tale is told of Aelfwine, the Englishman who voyaged into the True West and came to Tol Eressea, Lonely Isle, where he learned the ancient history of Elves and Men. Also included are the original 'Silmarillion' of 1926, and the Quenta Noldorinwa of 1930 -- the only version of the myths and legends of the First Age that J R R Tolkien completed to their end.



HOME 5 - THE LOST ROAD AND OTHER WRITINGS

The glorious history of how Middle-earth would change—and become the world readers recognize in The Lord of the Rings

As friends and fellow members of the literary circle known as The Inklings, J. R. R. Tolkien and C. S. Lewis embarked on a challenge. Lewis was to write on “space-travel” and Tolkien on “time-travel.” Lewis’s novel Out of the Silent Planet became the first book of a science fiction trilogy. Tolkien’s unfinished story “The Lost Road” chronicles the original destruction of Númenor, a pivotal event of the Second Age of Middle-earth.

In this intriguing volume, Christopher Tolkien traces the vivid history of Middle-earth, bringing the land—its topography and ever-clashing forces—to the state readers recognize from The Lord of the Rings. Entertaining and informative, The Lost Road and Other Writings shares fresh insights into the evolution of one of the world’s most enduring fantasies.


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THE TALE OF THE CHILDREN OF HURIN:
Narn i Chin Húrin

j.R.R. Tolkien's The Children of Húrin is one of the three 'Great Tales' of the Elder Days. This paperback edition includes eight color paintings by renowned Tolkien illustrator Alan Lee and a black-and-white map.

The Children of Húrin is the first complete book by Tolkien since the 1977 publication of The Silmarillion. Six thousand years before the One Ring is destroyed, Middle-earth lies under the shadow of the Dark Lord Morgoth. The greatest warriors among elves and men have perished, and all is in darkness and despair. But a deadly new leader rises, Túrin, son of Húrin, and with his grim band of outlaws begins to turn the tide in the war for Middle-earth—awaiting the day he confronts his destiny and the deadly curse laid upon him.



THE LEGEND OF SIGURD AND GUDRUN

Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.



BEREN AND LUTHIEN

Painstakingly restored from J.R.R. Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth.

The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.

Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.

In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.



THE FALLOF GONDOLIN

"An essential historical reference for Middle-earth fans" (Entertainment Weekly), The Fall Of Gondolin is the final work of J.R.R. Tolkien’s Middle-earth fiction, completing Christopher Tolkien’s life-long achievement as the editor and curator of his father’s manuscripts.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.

Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.

Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.

At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.



HOME 6 - THE RETURN OF THE SHADOW:
The History of The Lord of the Rings, Part One

The first part of The History of The Lord of the Rings, The Return Of The Shadow is J.R.R. Tolkien's enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.

The Return of the Shadow is the story of the first part of the history of the creation of The Lord of the Rings, a fascinating study of Tolkien’s great masterpiece, from its inception to the end of the first volume, The Fellowship of the Ring.

In The Return of the Shadow (the abandoned title of the first volume of The Lord of the Rings) we see how Bilbo’s magic ring evolved into the supremely dangerous Ruling Ring of the Dark Lord; and the precise, and astonishingly unforeseen, moment when a Black Rider first rode in to the Shire. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed, and Frodo’s companions undergo many changes of name and personality.

The book comes complete with reproductions of the first maps and facsimile pages from the earliest manuscripts.



HOME 7 - THE TREASON OF ISENGARD:
The History of The Lord of the Rings, Part Two

The second part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.

The Treason of Isengard continues the account of the creation of The Lord of the Rings started in the earlier volume, The Return of the Shadow.

It races the great expansion of the tale into new lands and peoples south and east of the Misty Mountains: the emerence of Lothlorien, of Ents, of the Riders of Rohan, and of Saruman the White in the fortress of Isengard.

In brief outlines and pencilled drafts dashed down on scraps of paper are seen the first entry of Galadriel, the earliest ideas of the history of Gondor, and the original meeting of Aragorn and Eowyn, its significance destined to be wholly transformed.

The book also contains a full account of the original map which was to be the basis of the emerging geography of Middle-earth.



HOME 8 - THE WAR OF THE RING:
History of The Lord of the Rings, Part Three 

The third part of The History of The Lord of the Rings, J.R.R. Tolkien's The War Of The Ring is an enthralling account of the writing of the Book of the Century, which contains many additional scenes and includes the unpublished Epilogue in its entirety.

The War of the Ring takes up the story of The Lord of the Rings with the Battle of Helm’s Deep and the drowning of Isengard by the Ents, continues with the journey of Frodo, Sam and Gollum to the Pass of Cirith Ungol, describes the war in Gondor, and ends with the parley between Gandalf and the ambassador of the Dark Lord before the Black Gate of Mordor.

The book is illustrated with plans and drawings of the changing conceptions of Orthanc, Dunharrow, Minas Tirith and the tunnels of Shelob’s Lair.



HOME 9 - SAURON DEFEATED:
History of The Lord of the Rings, Part Four 

The final part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety. In the first section of Sauron Defeated Christopher Tolkien completes his fascinating study of The Lord of the Rings. Beginning with Sam's rescue of Frodo from the Tower of Cirith Ungol, and giving a very different account of the Scouring of the Shire, this section ends with versions of the hitherto unpublished Epilogue, in which, years after the departure of Bilbo and Frodo from the Grey Havens, Sam attempts to answer his children's questions. The second section is an edition of The Notion Club Papers. These mysterious papers, discovered in the early years of the twenty-first century, report the discussions of an Oxford club in the years 1986-7, in which after a number of topics, the centre of interest turns to the legend of Atlantis, the strange communications recevied by other members of the club from the past, and the violent irruption of the legend into the North-west of Europe. This series of fascinating books has now been repackaged to complement the distinctive and classic style of the 'black cover' A-format paperbacks of The Hobbit, The Lord of the Rings, The Silmarillion and Unfinished Tales.


Wikipedia - Morgoth's Ring

HOME 10 - MORGOTH'S RING

The title of this volume comes from a statement in one of Tolkien's essays: "Just as Sauron concentrated his power in the One Ring, Morgoth dispersed his power into the very matter of Arda, thus the whole of Middle-earth was Morgoth's Ring".[2]

The title page of each volume of The History of Middle-earth displays an inscription in the Fëanorian characters (Tengwar, an alphabet devised by Tolkien for High-elven), written by Christopher Tolkien and describing the contents of the book. The inscription in Volume X reads: "In this book are given many of the later writings of John Ronald Reuel Tolkien concerning the history of the Elder Days from the Music of the Ainur to the Hiding of Valinor; here much is told of the Sun and Moon; of the immortal Eldar and the death of the Atani; of the beginning of the Orcs and of the evil power of Melkor, the Morgoth, the Black Foe of the World."



HOME 11 - THE WAR OF THE JEWELS

The second of two companion volumes which documents the later writing of The Silmarillion , Tolkien’s epic tale of war.

In The War of the Jewels Christopher Tolkien takes up his account of the later history of The Silmarillion from the point where it was left in Morgoth’s Ring . The story now returns to Middle-earth, and the ruinous conflict of the High Elves and the Men who were their allies with the power of the Dark Lord. With the publication in this book all of J.R.R. Tolkien’s later narrative writing concerned with the last centuries of the First Age, the long history of The Silmarillion , from its beginning in The Book of Lost Tales , is completed; and the enigmatic state of the work at his death can be understood.

This book contains the full text of the Grey Annals, the primary record of The War of the Jewels , and a major story of Middle-earth now published for the first time: the tale of the disaster that overtook the forest people of Brethil when Hurin the Steadfast came among them after his release from long years of captivity in Angband, the fortress of Morgoth.



HOME 12 - THE PEOPLES OF MIDDLE-EARTH

The concluding volume of The History of Middle-earth series, which examines the Appendices to The Lord of the Rings. The Peoples of Middle-earth traces the evolution of the Appendices to The Lord of The Rings, which provide a comprehensive historical structure of the Second and Third Ages, including Calendars, Hobbit genealogies and the Westron language. The book concludes with two unique abandoned stories: The New Shadow, set in Gondor during the Fourth Age, and the tale of Tal-elmar, in which the coming of the dreaded Numenorean ships is seen through the eyes of men of Middle-earth in the Dark Years. With the publication of this book, the long history of J.R.R. Tolkien's creation is completed and the enigmatic state of his work can be understood.


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EXTRAS & SUPPLEMENTAL STORIES



Unfinished Tales Illustrated Edition

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in J.R.R. Tolkien's The Hobbit, The Lord of the Rings, and The Silmarillion. Unfinished Tales features 18 full-color paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe, and Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories.

The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan.

Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings.

In celebration of its 40th anniversary, this jacketed hardcover of Unfinished Tales includes 18 gorgeous paintings depicting scenes from the First, Second, and Third Ages of Middle-earth from critically acclaimed Tolkien artists, Alan Lee, John Howe, and Ted Nasmith.



THE FALL OF NUMENOR:
And Other Tales from the Second Age of Middle-earth

J.R.R. Tolkien’s writings on the Second Age of Middle-earth, collected for the first time in one volume complete with new illustrations in watercolor and pencil by renowned artist Alan Lee.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a "dark age, and not very much of its history is (or need be) told." And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

It was not until Christopher Tolkien published The Silmarillion after his father’s death that a fuller story could be told. Although much of the book’s content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Númenor. Raised out of the Great Sea and gifted to the Men of Middle-earth as a reward for aiding the angelic Valar and the Elves in the defeat and capture of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Númenóreans’ power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men.

Even greater insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Númenor and Middle-earth, then expanded upon in Christopher Tolkien’s magisterial twelve-volume The History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.

Now, adhering to the timeline of "The Tale of Years" in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one comprehensive volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of Tolkien from the various published texts, with new illustrations in watercolor and pencil by the doyen of Tolkien art, Alan Lee.


THE HOBBIT
as Illustrated by the Author
(Tolkien Illustrated Editions)

For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the 
Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself and with the complete text printed in two colors.

Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again.’ They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon . . .

Written for J.R.R. Tolkien’s own children, The Hobbit was published on 21 September 1937. With a beautiful cover design, a handful of black & white drawings and two maps by the author himself, the book became an instant success and was reprinted shortly afterwards with five color plates.

Tolkien’s own selection of finished paintings and drawings have become inseparable from his text, adorning editions of The Hobbit for more than 85 years. But the published art has afforded only a glimpse of Tolkien’s creative process, and many additional sketches, colored drawings and maps – although exhibited and published elsewhere – have never appeared within the pages of The Hobbit.

In this unique enhanced edition of Tolkien’s enchanting classic tale, the full panoply of his art is reproduced for the first time, presenting more than 50 illustrations to accompany Bilbo Baggins on his adventure 'there and back again.'

THE LORD OF THE RINGS
as Illustrated by the Author
(Tolkien Illustrated Editions)

For the first time ever, a very special edition of the J.R.R. Tolkien's classic masterpiece, The Lord of the Rings, gorgeously illustrated throughout in color by the author himself and with the complete text printed in two colors, plus sprayed edges and a ribbon bookmark.

Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivaled magic and otherworldliness, Tolkien's sweeping fantasy and epic adventure has touched the hearts of young and old alike. More than 150 million copies of its many editions have been sold around the world, and occasional collectors’ editions become prized and valuable items of publishing.

This one-volume, jacketed hardcover edition contains the complete text, fully corrected and reset, which is printed in red and black and features, for the very first time, thirty color illustrations, maps and sketches drawn by Tolkien himself as he composed this epic work. These include the pages from the Book of Mazarbul, marvelous facsimiles created by Tolkien to accompany the famous ‘Bridge of Khazad-dum’ chapter. Also appearing are two removable fold-out maps drawn by Christopher Tolkien revealing all the detail of Middle-earth.

Sympathetically packaged to reflect the classic look of the first edition, this new edition of the bestselling hardback will prove irresistible to collectors and new fans alike.



THE NATURE OF MIDDLE-EARTH

The first ever publication of J.R.R. Tolkien’s final writings on Middle-earth, covering a wide range of subjects and perfect for those who have read and enjoyed The Silmarillion, The Lord of the Rings, Unfinished Tales, and The History of Middle-earth, and want to learn more about Tolkien’s magnificent world.

It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954–5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973.

For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. From sweeping themes as profound as Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Númenor, the geography of the Rivers and Beacon-hills of Gondor, and even who had beards!

This new collection, which has been edited by Carl F. Hostetter, one of the world’s leading Tolkien experts, is a veritable treasure-trove offering readers a chance to peer over Professor Tolkien’s shoulder at the very moment of discovery: and on every page, Middle-earth is once again brought to extraordinary life.



THE LETTERS OF J.R.R. TOLKIEN:
Revised and Expanded Edition

The comprehensive collection of letters spanning the adult life of one of the world’s greatest storytellers, now revised and expanded to include more than 150 previously unseen letters, with revealing new insights into The Hobbit, The Lord of the Rings and The Silmarillion.

J.R.R. Tolkien, creator of the languages and history of Middle-earth as recorded in The Hobbit, The Lord of the Rings and The Silmarillion, was one of the most prolific letter-writers of the last century. Over the years he wrote a mass of letters—to his publishers, to members of his family, to friends, and to “fans” of his books—which often reveal the inner workings of his mind, and which record the history of composition of his works and his reaction to subsequent events.

A selection from Tolkien’s correspondence, collected and edited by Tolkien’s official biographer, Humphrey Carpenter, and assisted by Christopher Tolkien, was published in 1981. It presented, in Tolkien’s own words, a highly detailed portrait of the man in his many aspects: storyteller, scholar, Catholic, parent, friend, and observer of the world around him.

In this revised and expanded edition of The Letters of J.R.R. Tolkien, it has been possible to go back to the editors’ original typescripts and notes, restoring more than 150 letters that were excised purely to achieve what was then deemed a “publishable length.” and present the book as originally intended.

Enthusiasts for his writings will find much that is new, for the letters not only include fresh information about Middle-earth, such as Tolkien’s own plot summary of the entirety of The Lord of the Rings and a vision for publishing his “Tales of the Three Ages,” but also many insights into the man and his world. In addition, this new selection will entertain anyone who appreciates the art of letter-writing, of which J.R.R. Tolkien was a master.