The Bible of King James
National Geographic Magazine
December 2011
By Adam Nicolson
Photograph by Jim Richardson
First printed 400 years ago, it molded the English language, buttressed the “powers that be”—one of its famous phrases—and yet enshrined a gospel of individual freedom. No other book has given more to the English-speaking world.
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The circuit-riding Baptist minister Rome Wager breaks a horse
on ranch land he leases at the southern end of the
Jicarilla Apache Reservation in northern New Mexico. |
Rome Wager stands in front of the rodeo chutes on a small ranch just outside the Navajo Reservation in Waterflow, New Mexico. He is surrounded by a group of young cowboys here for midweek practice. With a big silver buckle at his waist and a long mustache that rolls down on each side of his mouth like the curving ends of a pair of banisters, Wager holds up a Bible in his left hand. The young men take their hats off to balance them on their knees. "My stories always begin a little different," Brother Rome says to them as they crouch in the dust of the yard, "but the Lord always provides the punctuation."
Wager, a Baptist preacher now, is a former bull-riding and saddle-bronc pro, "with more bone breaks in my body than you've got bones in yours." He's part Dutch, part Seneca on his father's side, Lakota on his mother's, married to a full-blood Jicarilla Apache.
He tells them about his wild career. He was raised on a ranch in South Dakota; he fought and was beaten up, shot, and stabbed. He wrestled and boxed, he won prizes and started drinking. "I was a saphead drunk."
But this cowboy life was empty. He was looking for meaning, and one day in the drunk tank in a jail in Montana, he found himself reading the pages of the Bible. "I looked at that book in jail, and I saw then that He'd established me a house in heaven … He came into my heart."
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A multiple prizewinning saddle-bronc, bull-riding, and
bareback pro, Wager now bases his life on
preaching the King James Bible |
The heads around the preacher go down, and the words he whispers, which the rodeo riders listen to in such earnestness, are not from the American West: They are from England, translated 400 years ago by a team of black-gowned clergymen who would have been as much at home in this world of swells and saddles, pearl-button shirts and big-fringed chaps as one of these cowboys on a Milanese catwalk. "Second Corinthians 5. 'Therefore if any man be in Christ, he is a new creature: old things are passed away; behold, all things are become new.'"
Here is the miracle of the King James Bible in action. Words from a doubly alien culture, not an original text but a translation of ancient Greek and Hebrew manuscripts, made centuries ago and thousands of miles away, arrive in a dusty corner of the New World and sound as they were meant to—majestic but intimate, the voice of the universe somehow heard in the innermost part of the ear.
You don't have to be a Christian to hear the power of those words—simple in vocabulary, cosmic in scale, stately in their rhythms, deeply emotional in their impact. Most of us might think we have forgotten its words, but the King James Bible has sewn itself into the fabric of the language. If a child is ever the apple of her parents' eye or an idea seems as old as the hills, if we are at death's door or at our wits' end, if we have gone through a baptism of fire or are about to bite the dust, if it seems at times that the blind are leading the blind or we are casting pearls before swine, if you are either buttering someone up or casting the first stone, the King James Bible, whether we know it or not, is speaking through us. The haves and have-nots, heads on plates, thieves in the night, scum of the earth, best until last, sackcloth and ashes, streets paved in gold, and the skin of one's teeth: All of them have been transmitted to us by the translators who did their magnificent work 400 years ago.
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A life-size statue of King James dominates the most lavish room of this treasure-encrusted palace at Hatfield, north of London. Crowned and holding a sword and a scepter—symbols of his power—James is nevertheless flatteringly relaxed in his pose. Hatfield House was completed by Robert Cecil, the monarch's loyal secretary, in 1611 as the King James Bible came off the presses. |
The extraordinary global career of this book, of which more copies have been made than of any other book in the language, began in March 1603. After a long reign as Queen of England, Elizabeth I finally died. This was the moment her cousin and heir, the Scottish King James VI, had been waiting for. Scotland was one of the poorest kingdoms in Europe, with a weak and feeble crown. England by comparison was civilized, fertile, and rich. When James heard that he was at last going to inherit the throne of England, it was said that he was like "a poor man … now arrived at the Land of Promise."
In the course of the 16th century, England had undergone something of a yo-yo Reformation, veering from one reign to the next between Protestant and anti-Protestant regimesThe Geneva Bible, published in 1560 by a small team of Scots and English Calvinists in Geneva, drew on the pioneering translation by William Tyndale, martyred for his heresy in 1536. It was loved by Puritans but was anti-royal in its many marginal notes, repeatedly suggesting that whenever a king dared to rule, he was behaving like a tyrant. King James loved the Geneva for its scholarship but hated its anti-royal tone. Set against it, the Elizabethan church had produced the Bishops' Bible, rather quickly translated by a dozen or so bishops in 1568, with a large image of the Queen herself on the title page. There was no doubt that this Bible was pro-royal. The problem was that no one used it. Geneva's grounded form of language ("Cast thy bread upon the waters") was abandoned by the bishops in favor of obscure pomposity: They translated that phrase as "Lay thy bread upon wette faces." Surviving copies of the Geneva Bible are often greasy with use. Pages of the Bishops' Bible are usually as pristine as on the day they were printed.
This was the divided inheritance King James wanted to mend, and a new Bible would do it. Ground rules were established by 1604: no contentious notes in the margins; no language inaccessible to common people; a true and accurate text, driven by an unforgivingly exacting level of scholarship. To bring this about, the King gathered an enormous translation committee: some 54 scholars, divided into all shades of opinion, from Puritan to the highest of High Churchmen. Six subcommittees were then each asked to translate a different section of the Bible.
Although the translators were chosen for their expertise in the ancient languages (none more brilliant than Lancelot Andrewes, dean of Westminster), many of them had already enjoyed a rich and varied experience of life. One, John Layfield, had gone to fight the Spanish in Puerto Rico, an adventure that left him captivated by the untrammeled beauty of the Caribbean; another, George Abbot, was the author of a best-selling guide to the world; one, Hadrian à Saravia, was half Flemish, half Spanish; several had traveled throughout Europe; others were Arab scholars; and two, William Bedwell and Henry Savile, a courtier-scholar known as "a magazine of learning," were expert mathematicians. There was an alcoholic called Richard "Dutch" Thomson, a brilliant Latinist with the reputation of being "a debosh'd drunken English-Dutchman." Among the distinguished churchmen was a sad cuckold, John Overall, dean of St. Paul's, whose friends claimed that he spent so much of his life speaking Latin that he had almost forgotten how to speak English. Overall [he] made the mistake of marrying a famously alluring girl, who deserted him for a presumably non-Latin-speaking courtier, Sir John Selby. The street poets of London were soon dancing on the great man's misfortune:
The dean of St. Paul's did search for his wife
And where d'ye think he found her?
Even upon Sir John Selby's bed,
As flat as any flounder.
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For a thousand years, music and ceremony have celebrated the Christian Gospel in Westminster Abbey in London. As the place where generations of English kings and queens have been married, crowned, and buried, this great medieval building embodied King James's cherished fusion of glory and regal authority—a visual and aural richness of which the new Bible was to be an integral part. |
It was a world in which there was no gap between politics and religion. A translation of the Bible that could be true to the original Scriptures, be accessible to the people, and embody the kingliness of God would be the most effective political tool anyone in 17th-century England could imagine.
"We desire that the Scripture may speake like it selfe," the translators wrote in the preface to the 1611 Bible, "that it may bee understood even of the very vulgar." The qualities that allow a Brother Rome Wager to connect with his cowboy listeners—a sense of truth, a penetrating intimacy, and an overarching greatness—were exactly what King James's translators had in mind.
[please forgive Nat Geo for calling our cowboy friend "vulgar!" "As for myself, may I be as vulgar as the next warm-hearted and earthy Christian minister as we find here in Rome Wager!" - re slater]
They went about their work in a precise and orderly way. Each member of the six subcommittees, on his own, translated an entire section of the Bible. He then brought that translation to a meeting of his subcommittee, where the different versions produced by each translator were compared and one was settled on. That version was then submitted to a general revising committee for the whole Bible, which met in Stationers' Hall in London. Here the revising scholars had the suggested versions read aloud—no text visible—while holding on their laps copies of previous translations in English and other languages. The ear and the mind were the only editorial tools. They wanted the Bible to sound right. If it didn't at first hearing, a spirited editorial discussion—extraordinarily, mostly in Latin and partly in Greek—followed. A revising committee presented a final version to two bishops, then to the Archbishop of Canterbury, and then, notionally at least, to the King.
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Some translators of the King James Bible did research at Merton College Library at Oxford University, a world-class research facility since 1589. King James translator Henry Savile was instrumental in upgrading the library and introduced to England the European method of shelving books with spines facing outward. |
The King James Bible was a book created by the world in which it was made. This sense of connection is no more strikingly felt than in a set of rooms right in the heart of London. Inside Westminster Abbey, England's great royal church, the gray-suited, bespectacled Very Reverend Dr. John Hall, dean of Westminster, can be found in the quiet paneled and carpeted offices of the deanery. Here his 17th-century predecessor as dean,
Lancelot Andrewes, presided over the subcommittee that translated the first five books of the Old Testament. Here, in these very rooms, the opening sentence "In the beginning God created the heaven, and the earth" was heard for the first time.
John Hall is the man who conducted the marriage of Prince William and Kate Middleton in the abbey earlier this year, and as we talk, thousands of people are queuing on the pavements outside, wanting to get into the abbey and retrace the route the new duchess took on her big day. It is the other end of the world from Rome Wager's sermon to the cowboys in the New Mexico dust, but for Hall there is something about the King James Bible that effortlessly bridges the gap between them. He read the King James Version as a boy, and after a break of many years he took it up again recently. "There are moments," he says, "which move me almost to tears. I love the story, after Jesus has been crucified and has risen, and he appears to the disciples as they are walking on the road to Emmaus. They don't know who he is, but they talk together, and at the end they say to him, 'Abide with us, for it is toward evening, and the day is far spent.' That is a phrase—so simple, so direct, and so powerful—which has meant an enormous amount to me over the years. The language is full of mystery and grace, but it is also a version of loving authority, and that is the great message of this book."
The new translation of the Bible was no huge success when it was first published. The English preferred to stick with the Geneva Bibles they knew and loved. Besides, edition after edition was littered with errors. The famous Wicked Bible of 1631 printed Deuteronomy 5:24—meant to celebrate God's "greatnesse"—as "And ye said, Behold, the Lord our God hath shewed us his glory, and his great asse." The same edition also left out a crucial word in Exodus 20:14, which as a result read, "Thou shalt commit adultery." The printers were heavily fined.
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William Tyndale's New Testament sits on a King James Bible from 1611. Why so small? The size made it easier to smuggle this edition into England, where church and state law forbade the translation because of its democratic tone. Tyndale was executed for heresy in 1536, but his prose lives on. Scholars estimate that more than 90 percent of the King James New Testament is directly influenced by his work. |
But by the mid-1600s the King James had effectively replaced all its predecessors and had come to be the Bible of the English-speaking world. As English traders and colonists spread across the Atlantic and to Africa and the Indian subcontinent, the King James Bible went with them. It became embedded in the substance of empire, used as wrapping paper for cigars, medicine, sweetmeats, and rifle cartridges and eventually marketed as "the book your Emperor reads." Medicine sent to English children during the Indian Mutiny in 1857 was folded up in paper printed with the words of Isaiah 51 verse 12: "I, even I, am he that comforteth you."
Bible societies in Britain and America distributed King James Bibles across the world, the London-based
British and Foreign Bible Society alone shipping more than a hundred million copies in the 80 years after it was founded in 1804.
The King James Bible became an emblem of continuity. U.S. Presidents from Washington to Obama have used it to swear their oath of office (Obama using Lincoln's copy, others, Washington's). Its language penetrated deep into English-speaking consciousness so that the Gettysburg Address, Moby Dick, and the sermons and speeches of Martin Luther King are all descendants of the language of the English translators.
But there was a dark side to this Bible's all-conquering story. Throughout its history it has been used and manipulated, good and bad alike selecting passages for their different ends. Much of its text is about freedom, grace, and redemption, but those parts are matched by an equally fierce insistence on vengeance and control. As the Bible of empire, it was also the Bible of slavery, and as such it continues to occupy an intricately ambivalent place in the postcolonial world.
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Devoted to the Book. On Bobo Hill outside Kingston, Jamaica, Rastafarians chant psalms
from the King James Bible as they do every morning, facing east into the early sun. |
Amid the rubble and broken cars of Trench Town and Tivoli Gardens in West Kingston, Jamaica, every property is shielded from the street and its neighbors by high walls of corrugated iron nailed to rough boards. This is one of the murder capitals of the world, dominated by drug lords intimately connected to politicians and the police. It is a province of raw dominance, inescapable poverty, and fear. Its social structure, with very few privileged rich and very many virtually disenfranchised poor, is not entirely unlike that of early 17th-century England.
This is one of the heartlands of reggae—the Rastafarian way of life that gave birth to it—and of the King James Bible. As the Jamaican DJ and reggae poet Mutabaruka says, "The first thing that a Rasta was exposed to in this colonial country was this King James Version."
Rastafarians are not Christians. Since the 1930s they have believed that the then emperor of Ethiopia, Haile Selassie, is God himself. His name was Ras Tafari before 1930, when he was called "King of Kings, Lion of Judah, Elect of God." Those echo the titles the Bible gives to the Messiah. The island had long been soaked in Baptist Bible culture. In the mid-20th century, as Jamaicans were looking for a new redemptive Gospel, this suddenly made sense. Ras Tafari was the savior himself, the living God, and Ethiopia was the Promised Land. For Rastafarians, intensely conscious of the history of black enslavement, Jamaica was Babylon, their equivalent of the city where the people of Israel had been taken as slaves. Liberty and redemption were not, as the Christians always said, in the next life but in this one.
"The experience of slavery helps you," Mutabaruka says, "because there is this human need for salvation, for redemption. The Rastas don't believe in the sky god. Their redemption lies within the human character. When the Europeans came and say, 'Jesus in the sky,' the Rasta man reject that totally." (Jesus in the sky being Rasta shorthand for the whole story of the Resurrection.) "The man say, 'When you see I, you see God.' There is no God in the sky. Man is God, Africa is the Promised Land."
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Not Christian, but believing in the divinity of Haile Selassie,
the last emperor of Ethiopia, Rastafarians follow a strict
regimen modeled on Old Testament laws. |
Michael "Miguel" Lorne is a Rastafarian lawyer who for 30 years has been working for "the poor and the needy" in the toughest parts of Kingston. The walls of his office are filled with images of Africa and the Ethiopian emperor. But the windows are barred, the door onto the street triple locked and reinforced with steel.
"The Bible was used extensively to subjugate slaves," Lorne says. It seemed to legitimate the white enslaving of the black. "Your legacy is in heaven," he says, not smiling. "You must accept this as your lot."
The Bible has been an instrument of oppression—or "downpression," as they say in Jamaica, because what is there "up" about oppression?—but it has also been the source of much of what the Rastafarian movement believes. "The man Christ," Lorne says, "that level of humility, that level of conquering without a sword, that level of staying among the poor, always advocating on behalf of the prisoners, the downpressed, setting the captive free, living for these people. What is the use of living if you are not helping your brother? It is a book that gives you hope."
Lorne exudes a wonderful, tough-minded goodness. "We hope for a world where color does not play the dominant role it plays now," he says. "We want the lion and the lamb to lie down together. That is one of the beauties of Rastafari. We who have suffered and been brutalized and beaten, we have been agitating for compensation and reparation for years, but we don't think we will stick you up with a gun to get it."
Pious Rastafarians read the King James Bible every day. Lorne has read it "from cover to cover." Evon Youngsam, who is a member of the Twelve Tribes of Israel, a Rastafarian "mansion" in Kingston, its headquarters opposite Bob Marley's old house in the city, learned to read with the King James Bible at her grandmother's knee. She taught her own children to read with it, and they, now living in England, are in turn teaching their children to read with it. "There is something inside of it which reaches me," she says, smiling, the Bible in her hand, its pages marked with blue airmail letters from her children on the other side of the ocean.
The adherents of another, strict Rastafarian mansion, Bobo Shanti, in their remote and otherworldly compound high in the foothills of the Blue Mountains outside Kingston, rhythmically chant the psalms every day. The atmosphere in Bobo Camp is gentle and welcoming, almost monastic, but there are other Rastafarians whose style is the polar opposite of that, taking their cue from some of the more intolerant attitudes to be found in the Bible. Several Jamaican reggae and dance hall stars have been banned from performing in Canada and parts of Europe for their violently antigay lyrics. The justification is there in the Bible ("If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: They shall surely be put to death," Leviticus 20:13), but this is a troubling part of the King James inheritance: a ferocious and singular moral vision that has become unacceptable in most of the liberal, modern world.
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The 15th-century church of Rodel on the Isle of Lewis, built for the warlike chiefs of the MacLeods, towers over the sea lochs of Scotland's Outer Hebrides. Nothing in early modern Britain, from its cities to its remotest corners, was more political than religion. The church in every parish—nearly always the most imposing building—was as much a symbol of worldly control as a shrine to God. |
Not only at its roots in the heart of Westminster but also in some of the most obscure corners of the English-speaking world,
this book remains complicatedly and paradoxically alive. Not that it any longer holds universal sway. From the late 19th century onward, revisions and new translations began to appear with increasing regularity. Scores of new versions of the Bible or of substantial parts of it have been published in the past 50 years. But the 1611 version remains potent in places where a sense of continuity with the past seems important.
With the cool summer rain of the Hebrides in northwest Scotland spattering the glass of his windows, John Macaulay, elder of his church in Leverburgh on Harris and a boatbuilder at home in Flodabay, muses on the double inheritance of authority and liberty that the King James Bible has given him and people like him. He was brought up in the strict way of Scottish Presbyterianism. "Everything for the Sabbath was prepared on the Saturday," he says, sitting now by the same hearth he sat by 60 years ago. "You had to bring extra water into the house—you didn't have piped water in those days. Buckets of water from the loch across the road. Peats were taken in from the peat stack so that you had all the peats that you needed for the fire. Potatoes were peeled, meals prepared. My father always shaved on the Saturday evening, and I did too when I got older. The Bible said you must not work on the Sabbath, and so we did not."
No one was allowed to drive on a Sunday. "The only person with a car going to church was the minister, and he would drive, but he would never pick anyone up on the road. You had old men tottering along—howling gale, driving snow—but no, even if he stopped and was to offer anyone a lift, they would not step into a car on a Sunday."
In this Gaelic-speaking family, the Bible was the frame of life. Every evening of the week they knelt for prayers in front of the fire and the reading of a psalm. On Sunday the only book they could read was the Bible.
Before he was four years old, Macaulay was taught by his mother to read English from the Bible. "It is literally true that the English I learned was the English of the King James Bible. But we didn't use English at all in the house. Unless we had visitors who had no Gaelic, which was rare. I could read English from the book, but I could not have a conversation in it. I did not really know what it meant."
In some ways his immersion in a sacred book has sustained him through life. "You were taught very early on that there was someone there looking after you, someone you could rely on, someone you could talk to. You knew his words. They were in your mind." But there was another side to it. The authority of the church with this book in its hand also became a source of fear. "It is not just awe and reverence; it is fear. People are fearful of being seen to be doing something wrong. There are lots of people that go through life without ever expressing themselves or their feelings, and it is sad to see that."
The reverence for the minister, the man in the pulpit explicating the supremacy of the Bible, remains potent. "The church is a refuge from the realities of life," Macaulay says, "but there is also something else, which is a wee bit more sinister. Domination is a factor. The power of some of these preachers to really control their congregation. That has always been there."
The King James Bible has always cut both ways. It had its beginnings in royal authority, and it has been used to terrify the weak. It has also brought an undeniable current of beauty, kindness, and goodness into the lives of rich and poor alike. Its origins were ambivalent—for Puritan and bishop, the great and the needy, for clarity and magnificence, to bring the word of God to the people but also to buttress the powers that be—and that ambivalence is its true legacy.
end of article
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A Personal Comment
I hadn't expected anything more in the National Geographic article than that of an historical review of the King James Bible. However, by the end of the article we had come full circle: from a cowboy's ministry of God's love and grace to young men and women in the hinterlands of the Old West, to cults and church authority that variously interpreted the bible as either enslaving and oppressive to the human spirit, or as perceiving God through fear and awe when inducted into the daily routines of communal life.
Which should give all Christians pause is that of reconsidering what our lives, our conduct, our ministries are all about in their essence and results. Are we to teach fear and bigotry, hatred and violence, personal inexpression and societal control in God's name? Or are we as God's emissaries to teach love and color-blindness, gender and cultural-blindness, submission, gentleness, meekness, liberty, and life's beauty and meaningfulness?
To encourage and recognize the multitude of diversity, gifts and personal expressions brought to mankind through the arts and literature, personal talents, skills and trades? Each one used by God through us, His keepers, His hands and feet and heart, bringing life and liberty to humanity's children. He, who is our Creator, our Sustainer. Who is our very Life Giver. Whose very image is stamped upon our souls. Must find expression through us as flesh-and-blood images of His divine grace and love. Urging us to become c/reators and l/ife givers in some small, but significantly revolutionizing way, perhaps never to be understood by us - or others - this side of heaven.
For it is the intention of this blog to enumerate time-and-again, in as many ways as possible, the fullness of Jesus' Gospel as good news to men, women, children, the old and young, to the embittered and enslaved, unhappy or neglected, the unfed or uncared remnants of humanity found within our families, friends, neighborhoods and societies. Until it is understood what God's love means through His revelation in His Son Jesus. We teach not dogmas, not proscriptions, not feudalism, but an ethic, both moral and revitalizing. Moral in its servanthood. Its selflessness. Its sacrificial giving of ourselves, belongings, and ministries.
We are to become "Jars of Clay" meant for use ( http://relevancy22.blogspot.com/2011/09/re-slater-jars-of-clay.html ). Not showcased on tables and mantles. Nor kept hidden in cupboards. Where regardless of the type of jug, bowl, pitcher used, whether made of plastic or decorative china, we are useless without being used to bring food and drink to those who would sup of God's living waters. To partake of Christ's broken body and shed blood as salvation's meat and atoning drink. We are redemptive vessels bringing life and liberty, justice, truth and love to those without. For truly Christianity can only be itself a vessel of God used to enlighten, uplift, imbibe, and resuscitate this sinful, beggarly world of mankind clinging to the crumbs of man's sinful greed and rule.
R. E. Slater
November 30, 2011
*To view a historical timeline of the biblical texts and bible translations -
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Pillars of the Old Testament, Moses and Aaron, and New Testament apostles decorate the title page of the 1611 edition (above). The 1769 edition, which modernized spelling and punctuation, remained the dominant English-language Bible into the 20th century. Subsequent English translations reflect new scholarship in ancient documents but aim mainly to update language for modern readers. |
