Quotes & Sayings


We, and creation itself, actualize the possibilities of the God who sustains the world, towards becoming in the world in a fuller, more deeper way. - R.E. Slater

There is urgency in coming to see the world as a web of interrelated processes of which we are integral parts, so that all of our choices and actions have [consequential effects upon] the world around us. - Process Metaphysician Alfred North Whitehead

Kurt Gödel's Incompleteness Theorem says (i) all closed systems are unprovable within themselves and, that (ii) all open systems are rightly understood as incomplete. - R.E. Slater

The most true thing about you is what God has said to you in Christ, "You are My Beloved." - Tripp Fuller

The God among us is the God who refuses to be God without us, so great is God's Love. - Tripp Fuller

According to some Christian outlooks we were made for another world. Perhaps, rather, we were made for this world to recreate, reclaim, redeem, and renew unto God's future aspiration by the power of His Spirit. - R.E. Slater

Our eschatological ethos is to love. To stand with those who are oppressed. To stand against those who are oppressing. It is that simple. Love is our only calling and Christian Hope. - R.E. Slater

Secularization theory has been massively falsified. We don't live in an age of secularity. We live in an age of explosive, pervasive religiosity... an age of religious pluralism. - Peter L. Berger

Exploring the edge of life and faith in a post-everything world. - Todd Littleton

I don't need another reason to believe, your love is all around for me to see. – Anon

Thou art our need; and in giving us more of thyself thou givest us all. - Khalil Gibran, Prayer XXIII

Be careful what you pretend to be. You become what you pretend to be. - Kurt Vonnegut

Religious beliefs, far from being primary, are often shaped and adjusted by our social goals. - Jim Forest

We become who we are by what we believe and can justify. - R.E. Slater

People, even more than things, need to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone. – Anon

Certainly, God's love has made fools of us all. - R.E. Slater

An apocalyptic Christian faith doesn't wait for Jesus to come, but for Jesus to become in our midst. - R.E. Slater

Christian belief in God begins with the cross and resurrection of Jesus, not with rational apologetics. - Eberhard Jüngel, Jürgen Moltmann

Our knowledge of God is through the 'I-Thou' encounter, not in finding God at the end of a syllogism or argument. There is a grave danger in any Christian treatment of God as an object. The God of Jesus Christ and Scripture is irreducibly subject and never made as an object, a force, a power, or a principle that can be manipulated. - Emil Brunner

“Ehyeh Asher Ehyeh” means "I will be that who I have yet to become." - God (Ex 3.14) or, conversely, “I AM who I AM Becoming.”

Our job is to love others without stopping to inquire whether or not they are worthy. - Thomas Merton

The church is God's world-changing social experiment of bringing unlikes and differents to the Eucharist/Communion table to share life with one another as a new kind of family. When this happens, we show to the world what love, justice, peace, reconciliation, and life together is designed by God to be. The church is God's show-and-tell for the world to see how God wants us to live as a blended, global, polypluralistic family united with one will, by one Lord, and baptized by one Spirit. – Anon

The cross that is planted at the heart of the history of the world cannot be uprooted. - Jacques Ellul

The Unity in whose loving presence the universe unfolds is inside each person as a call to welcome the stranger, protect animals and the earth, respect the dignity of each person, think new thoughts, and help bring about ecological civilizations. - John Cobb & Farhan A. Shah

If you board the wrong train it is of no use running along the corridors of the train in the other direction. - Dietrich Bonhoeffer

God's justice is restorative rather than punitive; His discipline is merciful rather than punishing; His power is made perfect in weakness; and His grace is sufficient for all. – Anon

Our little [biblical] systems have their day; they have their day and cease to be. They are but broken lights of Thee, and Thou, O God art more than they. - Alfred Lord Tennyson

We can’t control God; God is uncontrollable. God can’t control us; God’s love is uncontrolling! - Thomas Jay Oord

Life in perspective but always in process... as we are relational beings in process to one another, so life events are in process in relation to each event... as God is to Self, is to world, is to us... like Father, like sons and daughters, like events... life in process yet always in perspective. - R.E. Slater

To promote societal transition to sustainable ways of living and a global society founded on a shared ethical framework which includes respect and care for the community of life, ecological integrity, universal human rights, respect for diversity, economic justice, democracy, and a culture of peace. - The Earth Charter Mission Statement

Christian humanism is the belief that human freedom, individual conscience, and unencumbered rational inquiry are compatible with the practice of Christianity or even intrinsic in its doctrine. It represents a philosophical union of Christian faith and classical humanist principles. - Scott Postma

It is never wise to have a self-appointed religious institution determine a nation's moral code. The opportunities for moral compromise and failure are high; the moral codes and creeds assuredly racist, discriminatory, or subjectively and religiously defined; and the pronouncement of inhumanitarian political objectives quite predictable. - R.E. Slater

God's love must both center and define the Christian faith and all religious or human faiths seeking human and ecological balance in worlds of subtraction, harm, tragedy, and evil. - R.E. Slater

In Whitehead’s process ontology, we can think of the experiential ground of reality as an eternal pulse whereby what is objectively public in one moment becomes subjectively prehended in the next, and whereby the subject that emerges from its feelings then perishes into public expression as an object (or “superject”) aiming for novelty. There is a rhythm of Being between object and subject, not an ontological division. This rhythm powers the creative growth of the universe from one occasion of experience to the next. This is the Whiteheadian mantra: “The many become one and are increased by one.” - Matthew Segall

Without Love there is no Truth. And True Truth is always Loving. There is no dichotomy between these terms but only seamless integration. This is the premier centering focus of a Processual Theology of Love. - R.E. Slater

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Note: Generally I do not respond to commentary. I may read the comments but wish to reserve my time to write (or write from the comments I read). Instead, I'd like to see our community help one another and in the helping encourage and exhort each of us towards Christian love in Christ Jesus our Lord and Savior. - re slater

Wednesday, January 8, 2020

The Son of Protagoras - "Standing Between Wisdom & Destruction"


Son of Protagoras by MTO


The Son of Protagoras

Go down ye burning church
before the Cathedral of St. Anne's
look down its burdened byway
where angry boy cradles dead dove.

Pierced by arrows of religion
brotherhoods of the same God
whose self-same heart lies pierced
along flung pathways to peace.

See the pained eyes of boy's glare
wincing away from slain discovery
now fixing upon Christ's church
studying its faiths, its truths.

Ye bonded churchmen of God
ye altars of truth - nay it were love!
Are you looking? Have you?
At lowly dove lying pierced?

Or is the dove of the Lord
too slight a sacrifice?
Too frail a thing to honor
On yon altars of truths?

How comes this truth if it has
no eyes, no lips, no wisdom?
Though truth ever rages doth not
love bear wisdom enough?


R.E. Slater
January 8, 2020;
Edited Jan 11, 2010


@copyright R.E. Slater Publications
all rights reserved



"One of the things that interests me most is the way that [the artwork]
is located across from the Cathedral. As you stand there viewing it, you find yourself 
midway between the Cathedral [of St. Anne's] and the figure. If the building can be
seen as representative of the priest, then the artwork symbolizes the fiery prophet.
One is concerned with protecting the accumulated wisdom and rituals of the ages,
the other is concerned with pointing out how they turn dogmatic and destructive."

- Peter Rollins



Son of Protagoras
by Peter Rollins

I'm currently working on my upcoming Atheism for Lent practice, and one of the reflections is from the ancient Greek philosopher Protagoras. It reminded me of a powerful piece of graffiti that you can see in Belfast, N.Ireland (if you've been to WAKE you'll likely have seen it on our graffiti tour). It's called Son of Protagoras and was painted by the famous French Graffiti artist MTO. The large and brooding figure is located right across the road from St Anne’s CathedralThe angry gaze of the son of Protagoras is directed at cathedral, which can be seen through a gap in some buildings.

The figure cradles a dead dove that has been pierced by two arrows bearing the cross of the Knights of Malta and the Latin crossThe artist made this work as a comment on the conflict that once raged between Irish Catholic nationalists and the Protestant unionists. A conflict that was bound up in religious identity.
The piece is rich with powerful symbolism. A dove - representing peace - has been killed by two arrows - representing the Protestant and Catholic sides of the divide. The son of Protagoras looks with anger at the Cathedral, which represents institutional religion.

One of the things that interests me most about this piece (which I'll include as supplemental material in AfL) is the way that it's located across from the Cathedral. As you stand there viewing it, you find yourself midway between the Cathedral and the figure. If the building can be seen as representative of the priest, then the artwork symbolizes the fiery prophet. One is concerned with protecting the accumulated wisdom and rituals of the ages, the other is concerned with pointing out how they turn dogmatic and destructive.

While we might be find ourselves more often closer to one of these sides than the other, standing between them is a good reminder of how these two figures are intertwined, and how we must allow space for both.

The video I've included allows you to explore the artwork by dragging your mouse across the screen. I've also included two pictures of St Anne’s Cathedral.





St. Anne's Church, Belfast, Northern Ireland


St. Anne's Church, Belfast, Northern Ireland


* * * * * * * * * * *


"The Son of PROTAGORAS"

by MTO

International artist, MTO was in Belfast recently attending the “Hit the north”, Culture night and created this inspirational mural as a way of passing his message to the local community. Titled as ”The son of Protagoras”, MTO, brings some indirect mythology to offer his position on human conflict. A true masterpiece!

Located in the yard of “Northern Ireland War Memorial,”
21 Talbot Street, BELFAST, NORTH IRELAND.

The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Irish nationalist and unionist neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).

Protagoras was a proponent of agnosticism. he wrote: “Concerning the gods, I have no means of knowing whether they exist or not or of what sort they may be, because of the obscurity of the subject, and the brevity of human life.”


Son of Protagoras by MTO, Belfast Art Show


* * * * * * * * * * *


MTO ’s work is mostly known and characterized by incredibly detailed renditions of famous and cult-y actors and musicians with a dash of red as his signature usually on a red outline of his work. It also works well as a boundary. He has launched a series of projects in the US and Europe. He has managed to reinvent his style and content by stepping up and evolving his techniques! Unpredictable as well as troubled, he never fears of challenging ideas and stereotypes.


* * * * * * * * * * *


Urban Art


WHO IS MTO?

Mateo aka MTO is a French artist known for his grey scaled photo-realistic works of art, mostly portraits, which stand out from the masses because of their high quality, that led him to become a respected artist in the Graffiti and Street art scene.

MTO is a Mystery

He was born in France, and then moved to Berlin in 2006, just to leave if 7 years later. And, that pretty much sums all that he is willing to discover about himself. Visiting Barcelona was the kick-start for MTO’s work on the streets. The vibrancy of the city’s exterior culture inspired him to create. Yet his work, although labeled street art, goes way beyond graffiti.

Ciao, Berlin!

Berlin is the city where he has represented some of his best work throughout his career so far – black and white graffiti with a touch of red and pink of mostly famous pop culture icons, but also some really known movie scenes. He has left Berlin in style – by painting Ciao, Berlin on its walls. In just 7 Berlin years the French Street Artist MTO, known for his grayscale photorealistic works of art, mostly portraits, which stand out from the masses because of their high quality, has become a respected artist in the Graffiti and Street art scene.

The last time Berlin “saw” MTO was on the 11.10.2013, when he was painting a new work of art during the “Street Art Meeting” which took place at “Yaam Berlin“. At the time, we, like most other people, had no idea that his decision to leave the city had already been made.

MTO’s grayscale and red outline portraits

MTO sprays his portraits with a typical red outline (that is part of the artwork and his signature at the same time) – usually of people who inspired him. For that reason he started painting musicians like the young Michael Jackson, Ray Charles or Jimmy Hendrix but also movie actors and their most interesting film scenes, like Jack Nicholson from “Shining”, Robert De Niro from “Taxi Driver” or Angelina Jolie from “Tomb Raider”.

Some of the most interesting works of MTO for street art lovers are definitely the portraits of Berlin based street artists like Emess, Alias or 4rtists (aka. Mr.6). Of course he proofed his skills also by painting objects like big turntables or showed a lot of humor by painting the German chancellor Angela Merkel as a punk in the old art house Tacheles.

The portraits are 8-9 feet high and wide and it takes him about 2-5 hours to finish one piece which sounds amazing when you take the quality of his work in consideration. His art also interacts with the environment around it.

The current location of MTO is unknown. Or, as he says: Currently living in “Nowhere”, Planet Earth.


* * * * * * * * * * *


~ By MTO ~ Photo: twistedsifter.com
~ By MTO ~ Photo: twistedsifter.com

Jack Nicholson from “Shining” ~ By MTO ~ Berlin, Germany - Photo: streetartbln.com
Jack Nicholson from “Shining” ~ By MTO ~ Berlin, Germany – Photo: streetartbln.com


WHO IS MTO?

https://streetartrat.com/2015/11/04/who-is-mto/


The street artist MTO, which is the short form for Mateo, was born in France and allegedly moved to Berlin a couple of years ago, his current location is unknown. There is not much information about MTO since he likes to keep his identity hidden. His artworks are often very elaborate and realistic. He likes to create large black-and-white murals, like this one in Riga.


~ By MTO ~ Berlin, Germany - Photo: streetartbln.com
~ By MTO ~ Berlin, Germany – Photo: streetartbln.com

Angelina Jolie ~ By MTO ~ Berlin, Germany - Photo: streetartbln.com
Angelina Jolie ~ By MTO ~ Berlin, Germany – Photo: streetartbln.com


* * * * * * * * * * *


What is A Sophist?

A sophist (Greek: σοφιστής, sophistes) was a specific kind of teacher in ancient Greece, in the fifth and fourth centuries BCE. Many sophists specialized in using the tools of philosophy and rhetoric, though other sophists taught subjects such as music, athletics, and mathematics. In general, they claimed to teach arete ("excellence" or "virtue", applied to various subject areas), predominantly to young statesmen and nobility. The term originated from Greek σόφισμα, sophisma, from σοφίζω, sophizo "I am wise"; confer σοφιστής, sophistēs, meaning "wise-ist, one who does wisdom", and σοφός, sophós means "wise man".


* * * * * * * * * * *


Who is Protagoras?

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Protagoras
Salvator Rosa - Démocrite et Protagoras.jpg
Democritus (center) and Protagoras (right)
17th-century painting by Salvator Rosa
in Hermitage Museum
Bornc. 490 BC[1][2]
Diedc. 420 BC[3]
EraPre-Socratic philosophy
RegionWestern philosophy
SchoolSophistic Movement
Main interests
languagesemanticsrelativismrhetoricagnosticismethics
Notable ideas
'Sophist' as teacher for hire, 'Man is the measure of all things'
Protagoras (/prˈtæɡərəs/GreekΠρωταγόραςc. 490 BC – c. 420 BC)[1] was a pre-Socratic Greek philosopher. He is numbered as one of the sophists by Plato. In his dialogue Protagoras, Plato credits him with inventing the role of the professional sophist.
Protagoras also is believed to have created a major controversy during ancient times through his statement that, "Man is the measure of all things", interpreted by Plato to mean that there is no absolute truth but that which individuals deem to be the truth.
Although there is reason to question the extent of the interpretation of his arguments that has followed, that concept of individual relativity was revolutionary for the time, and contrasted with other philosophical doctrines that claimed the universe was based on something objective, outside human influence or perceptions.

Biography

Protagoras was born in Abdera, Thrace, opposite the island of Thasos (today part of the Xanthi regional unit). According to Aulus Gellius, he originally made his living as a porter, but one day he was seen by the philosopher Democritus carrying a load of small pieces of wood he had tied with a short cord. Democritus realized that Protagoras had tied the load together with such perfect geometric accuracy that he must be a mathematical prodigy. Democritus promptly took him into his own household and taught him philosophy.[4] Protagoras became well known in Athens and even became a friend of Pericles.[5]
The dates of his lifetime are not recorded, but extrapolated from writings that have survived the ages. In Protagoras Plato wrote that, before a gathering of SocratesProdicus, and Hippias, Protagoras stated that he was old enough to be the father of any of them. This suggests a birth date of not later than 490 BC. In the Meno he is said to have died at approximately the age of 70, after 40 years as a practicing Sophist.[6] His death, then, may be presumed to have occurred circa 420 BC, but is not known for certain, since assumptions about it are based on an apparently fake story about his trial for impiety in Athens.[7]
Plutarch wrote that Pericles and Protagoras spent a whole day discussing an interesting point of legal responsibility, that probably involved a more philosophical question of causation:[8] "In an athletic contest a man had been accidentally hit and killed with a javelin. Was his death to be attributed to the javelin, to the man who threw it, or to the authorities responsible for the conduct of the games?"[9]

Philosophy

Even though he was mentored by Democritus, Protagoras did not share his enthusiasm for the pursuit of mathematics. "For perceptible lines are not the kind of things the geometer talks about, since no perceptible thing is straight or curved in that way, nor is a circle tangent to a ruler at a point, but the way Protagoras used to say in refuting the geometers" (Aristotles, Metaphysics 997b34-998a4). Protagoras was skeptical about the application of theoretical mathematics to the natural world; he did not believe they were really worth studying at all. According to Philodemus, Protagoras said that "The subject matter is unknowable and the terminology distasteful". Nonetheless, mathematics was considered to be by some a very viable form of art, and Protagoras says on the arts, "art (tekhnê) without practice and practice without art are nothing" (Stobaeus, Selections 3.29.80).
Protagoras also was known as a teacher who addressed subjects connected to virtue and political life. He especially was involved in the question of whether virtue could be taught, a commonplace issue of fifth century BC Greece, that has been related to modern readers through Plato's dialogue. Rather than educators who offered specific, practical training in rhetoric or public speaking, Protagoras attempted to formulate a reasoned understanding, on a very general level, of a wide range of human phenomena, including language and education. In Plato's Protagoras, he claims to teach "the proper management of one's own affairs, how best to run one's household, and the management of public affairs, how to make the most effective contribution to the affairs of the city by word and action".[10]
He also seems to have had an interest in "orthoepeia"—the correct use of words—although this topic is more strongly associated with his fellow sophist Prodicus. In his eponymous Platonic dialogue, Protagoras interprets a poem by Simonides, focusing on the use of words, their literal meaning, and the author's original intent. This type of education would have been useful for the interpretation of laws and other written documents in the Athenian courts.[11] Diogenes Laërtius reports that Protagoras devised a taxonomy of speech acts, such as assertion, question, answer, command, etc. Aristotle also says that Protagoras worked on the classification and proper use of grammatical gender.[12][13]
The titles of his books, such as Technique of Eristics (Technē Eristikōn, literally "Practice of Wranglings"—with wrestling used as a metaphor for intellectual debate), prove that Protagoras also was a teacher of rhetoric and argumentation. Diogenes Laërtius states that he was one of the first to take part in rhetorical contests in the Olympic games.[12]

Relativism

Protagoras also said that on any matter, there are two arguments (logoi) opposed to one another, and according to Aristotle, Protagoras was criticized for having claimed "to make the weaker argument stronger (ton hēttō logon kreittō poiein)".[12]
Protagoras is credited with the philosophy of relativism, which he discusses in his work, Truth (also known as Refutations).[11][14] Although knowledge of his work is limited, discussion of Protagoras' relativism is based on one of his most famous statements: "Man is the measure of all things: of the things that are, that they are, of the things that are not, that they are not."[15][16] By this, Protagoras meant that each individual is the measure of how things are perceived by that individual. Therefore, things are, or are not, true according to how the individual perceives them. For example, Person X may believe that the weather is cold, whereas Person Y may believe that the weather is hot. According to the philosophy of Protagoras, there is no absolute evaluation of the nature of a temperature because the evaluation will be relative to who is perceiving it. Therefore, to Person X, the weather is cold, whereas to Person Y, the weather is hot. This philosophy implies that there are no absolute "truths". The truth, according to Protagoras, is relative, and differs according to each individual.[11]
As with many fragments of the pre-Socratic philosophers, this phrase has been passed down through the ages, without any context, and consequently, its meaning is open to interpretation. His use of the word χρήματα (chrēmata, "things used") instead of the general word ὄντα (onta, "entities") signifies, however, that Protagoras was referring to things that are used by, or in some way, related to, humans, such as properties, social entities, ideas, feelings, judgments, which originate in the human mind. Protagoras did not suggest that humans must be the measure of the motion of the stars, the growing of plants, or the activity of volcanoes.
As many modern thinkers will, Plato ascribes relativism to Protagoras and uses his predecessor's teachings as a foil for his own commitment to objective and transcendent realities and values. Plato ascribes to Protagoras an early form of what John Wild categorized as phenomenalism.[17] That being an assertion that something that is, or appears for a single individual, is true or real for that individual.
However, as described in Plato's Theaetetus, Protagoras's views allow that some views may result from an ill body or mind. He stressed that although all views may appear equally true, and perhaps, should be equally respected, they certainly are not of equal gravity. One view may be useful and advantageous to the person who has it, while the perception of another may prove harmful. Hence, Protagoras believed that the sophist was there to teach the student how to discriminate between them, i.e., to teach "virtue".
Both Plato and Aristotle argue against some of Protagoras's claims regarding relativity; however, they argue that the concept provides Protagoras with too convenient an exemption from his own theory and that relativism is true for him yet false for those who do not believe it. They claim that by asserting that truth is relative, Protagoras then could say that whatever further theory he proposed must be true.[18]
Because knowledge of most of his work is limited or missing, modern attempts to apply the Protagoras theory of relativism tend to result in disagreement and refer to scientific reasoning. Carol Poster states that with a modern preference toward scientific reasoning and objective truth, for example, rather than considering individuals evaluating their sense of comfort, a modern philosopher would look at a modern instrument, the thermometer, objectively to see the scientific measure of the temperature, whereas the Greek method would entail looking at larger philosophical implications.[19]

Agnosticism

Protagoras also was a proponent of agnosticism. Reportedly, in his lost work, On the Gods, he wrote: "Concerning the gods, I have no means of knowing whether they exist or not, nor of what sort they may be, because of the obscurity of the subject, and the brevity of human life."[20][21] According to Diogenes Laërtius, the outspoken, agnostic position taken by Protagoras aroused anger, causing the Athenians to expel him from the city, and all copies of his book were collected and burned in the marketplace. The deliberate destruction of his works also is mentioned by Cicero.[22]
The classicist John Burnet doubts this account, however, as both Diogenes Laërtius and Cicero wrote hundreds of years later and as no such persecution of Protagoras is mentioned by contemporaries who make extensive references to this philosopher.[23] Burnet notes that even if some copies of the Protagoras books were burned, enough of them survived to be known and discussed in the following century. A claim has been made that Protagoras is better classified as an atheist, since he held that if something is not able to be known it does not exist.[24]

Spectrum of topics

Nonetheless, very few fragments from Protagoras have survived, although he is known to have written several different works: Antilogiae and Truth. The latter is cited by Plato, and was known alternatively as, The Throws (a wrestling term referring to the attempt to floor an opponent). It began with the "Man is the measure" (ἄνθρωπος μέτρον) pronouncement. According to Diogenes Laërtius other books by Protagoras include: On the GodsArt of EristicsImperativeOn AmbitionOn Incorrect Human ActionsOn those in HadesOn SciencesOn VirtuesOn the Original State of Things and Trial over a Fee.[12]

See also

Tuesday, December 31, 2019

Film Review - Annihilation: Death or ReBirth?




A n n i h i l a t i o n
by R.E. Slater

pressed into the viscous space
at once consumed, conformed,
transformed, all become one
joining vacuous light

free time skips, stops, skips again
shimmering, ethereal shapes
surrounding spellbound travellers
infiltrating broken selves

mutant airs silence all living
strange creation abounds
devolution in real time
tearing, ripping, binding

fearful symmetry flows
across organic spaces
deadly silence stilling
all once alive


R.E. Slater
January 3, 2020
rev. December 3, 2021

@copyright R.E. Slater Publications
all rights reserved




Watching Annihilation provided a lot of commentary in my head related to species self-destruction and survival, personal upheaval and pain, ecological resets, necessary random, chaotic cycles inserted into ordered systems, and all of the above when describing God, self, the human condition, creation, and so forth. Relevancy22 is an attempt to restart theological discussions in light of contemporary sciences and philosophies as they lead the way towards "re-refracting" our interior spirits and beliefs outwards-and-inwards to what is necessary in face of the blind, unhelpful dead-ends we seem to find ourselves in which continually marks our human experience. And it is in the spirit of burning down (sic, pyrotheology) what we think we know to relearn what is unseen which Annihilation repeatedly addresses through its timeless evolving script. In the end, when disorder is inserted into our present (and therefore, our past) contexts it leaves us as other than ourselves - as reflected mirrors of our former selves - forever changed by personal or societal experience, either for better or for worse. As a theologian I chose the later against all other options however paradoxical it might seem at the moment as such moments are moments of becoming rather than merely existing, of evolving rather than dying, as re-synching with the God of the universe held in its infinitely looped prism-like processes reflecting unconcluded journeys of creational space, the deaths of self, and the births of becoming. Enjoy.

R.E. Slater
December 31, 2019

Annihilation Official Trailer







Film Reviews & Explanations

Colliderhttps://collider.com/annihilation-movie-explained/

The Vergehttps://www.theverge.com/2018/2/23/17042290/annihilation-review-natalie-portman-oscar-isaac-alex-garland-jeff-vandermeer

Vulture https://www.vulture.com/2018/02/annihilation-movie-ending-explained.html

Digital Spyhttps://www.digitalspy.com/movies/a852095/netflix-annihilation-explained-ending-spoilers/

Den of Geekhttps://www.denofgeek.com/us/movies/annihilation/271159/annihilation-ending-explained






Annihilation EXPLAINED: Character, Theme and Story Analysis






Additional References - Click here


Wrap - Up




Annihilation and Ex Machina director Alex Garland on using sci-fi to explore self-destruction


Monday, December 23, 2019

How God Came to Be


Amazon link

Book Description

In this remarkable, acclaimed history of the development of monotheism, Mark S. Smith explains how Israel's religion evolved from a cult of Yahweh as a primary deity among many to a fully defined monotheistic faith with Yahweh as sole god. Repudiating the traditional view that Israel was fundamentally different in culture and religion from its Canaanite neighbors, this provocative book argues that Israelite religion developed, at least in part, from the religion of Canaan. Drawing on epigraphic and archaeological sources, Smith cogently demonstrates that Israelite religion was not an outright rejection of foreign, pagan gods but, rather, was the result of the progressive establishment of a distinctly separate Israelite identity. This thoroughly revised second edition of The Early History of God includes a substantial new preface by the author and a foreword by Patrick D. Miller.


* * * * * * * * * * *

Introduction

One of the areas I have failed to speak to as I should is How God Came To Be not only in the evolution of the Judeo-Christian religion but in the evolution of man himself. Of course, this then would directly affect how the bible would be read and discussed. It certainly would be different from how the bible is typically used when we quote Scripture familiarly without really understanding the depth of God's historical legacy from the earliest evolutionary times of ancient man to today's contemporary civilizations.

I touched upon this a little bit yesterday when posting a "book review" of The Reception of Jesus in the First Three Centuries by Chris L. Keith, Helen K. Bond, Christine Jacobi and Jens Schröter. Here the early milieu of the New Testament is discussed in three weighty volumes by 70 different scholars to help portray the complexity of the Christian bible's development in the earliest days of the church. Likewise may be found similar discussions on the development of the Old Testament in the bible such as we have here with Mark Smith's edition.

For myself, beyond the academic language of biblical scholars, I quite accidentally stumbled across one of my favorite authors on this same subject in James Michener's novel, The Source, which opens up the idea of how ancient man became acquainted with God as a developing saga in the hoary story of revelatory religion, being and event. (to borrow part of a phrase from the renown philosophy Alaine Badiou; see link here and here).

Just the idea of God as an idea, or inkling of a conscious idea, only came to light slowly but slowly in the long experience of the ancient psyche of man; it is a story I think Michener has described quite aptly to the common, non-academic reader in readable narrative. That is, we have only come to know God through the accumulated experiences of many others from the earliest of times of man's evolutionary development until now. As such, I recommend reading Michener's novel ahead of all other biblical treatises on ancient Israel's evolving religion to help adjust our thinking about how God's apprehension of Being and Event came to be.

In summary, let me end by referencing Michener's book below as a follow up to Peter Enn's posting on Mark Smith's treatise on how the idea of YHWH formed within Israel. Enjoy.

R.E. Slater
December 23, 2019

TheSourceNovel.jpg
Wikipedia Link

The Source is a historical novel by James A. Michener, first published in 1965. It is a survey of the history of the Jewish people and the land of Israel from pre-monotheistic days to the birth of the modern State of Israel. The Source uses, for its central device, a fictional tell in northern Israel called "Makor" (Hebrew: "source"‎). Prosaically, the name comes from a freshwater well just north of Makor, but symbolically it stands for much more, historically and spiritually.
Unlike most Michener novels, this book is not in strict chronological order. A parallel frame story set in Israel in the 1960s supports the historical timeline. Archaeologists digging at the tell at Makor uncover artifacts from each layer, which then serve as the basis for a chapter exploring the lives of the people involved with that artifact.
The book follows the story of the Family of Ur from a Stone Age family whose wife begins to believe that there is a supernatural force, which slowly leads us to the beginnings of monotheism. The descendants are not aware of the ancient antecedents revealed to the reader by the all-knowing writer as the story progresses through the Davidic kingdom, Hellenistic times, Roman times, etc. The site is continually inhabited until the end of the Crusades when it is destroyed by the victorious Mameluks (as happened to many actual cities after 1291) and is not rebuilt by the Ottomans.
- Wikipedia 


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Yaweh


We All Have a History. Even God.


Mark S. Smith’s book The Early History of God: Yahweh and the Other Deities in Ancient Israel opens with a quotation from the 6th c. AD writer on Roman antiquity, Lydus.
There has been and is much disagreement among theologians about the god honored among the Hebrews (De mensibus 4.53)
Indeed.
For the next 200 pages, Smith looks at the “role of Yahweh within Israelite religion” vis-a-vis older Canaanite deities like El, Baal, and Asherah (also known to us from the Bible).
Ferreting out how the ancient Israelites came to worship Yahweh and what that meant in the context of ancient polytheistic cultures has been a huge topic ever since modern biblical scholars/archaeologists began learning new things about (1) ancient Israel and (2) ancient polytheistic cultures.
The bottom line, mainstream view—I shudder even to attempt to summarize it in one sentence—is that the Hebrew scriptures contain a record of Israel’s diverse and changing views concerning God, where the experience of the Babylonian Exile was a major turning point in the emergence of monotheism (the belief that only one God exists) out of monolatry (many gods exist but only Yahweh is worthy of worship).
God, in other words, has a history—or at least on the pages of the Old Testament. We are seeing development over time in how God was understood.
This mainstream view does not rest well with the biblical progression of events, namely: Israel knew Yahweh as the/their only God from the time of Abraham, and how well they did as a people/nation depended on remembering that and worshiping/obeying Yahweh alone.
For biblical scholars of the last century or so, this picture is complicated by
(1) the Bible’s own hints and nods at a more complicated “early history of God” (hence Smith’s book), and
(2) our considerable and growing understanding of religion in general in the ancient Near East, especially Canaanite and Ugaritic religion, which are closest to Israelite religion.
I’m used to this sort of thing, but I know many are not. That’s fine. The point, though, is that the modern study of the Old Testament has irrevocably affected what we can expect from the Bible in terms of “brute information” about God.
The modern study of the Old Testament doesn’t tell you what to believe, like a bully, but it has placed the Old Testament firmly in its culture moments—so firmly, in fact, that a well rounded view can’t just make believe the last hundred or so years of thinking on this subject didn’t happen.
Here’s my take-away from all this—and I’m asking you (or at least humor me) to believe me when I say that this is not a last minute frenzied punt from my own end zone before the sack. My life, such as it is, is about synthesizing my own spiritual life with what I’ve been trained to do and what I do for a living, which is to say I’ve thought about this a good bit and hang out with others who have done the same.
Studying the Bible and Israel’s past is a regular reminder to me that my ultimate object of trust is God, not the Bible (or how I understand the Bible). That’s not knocking the Bible. It’s acknowledging that the Bible—even where it talks about God—is a relentlessly contextual collection of ancient literature that takes wisdom and patience to handle well, and in doing so drives us toward further contemplation of God here and now.

God is bigger than the Bible. 

I see Jesus and Paul already sounding that note when they began reshaping traditional expectations of God.
I haven’t come to this place quickly or casually, though from my vantage point today, it feels rather commonsensical to me—though I don’t impose that on anyone, at least not until I gain supreme, ultimate power, which is the plan.
One last point, to anticipate a common response: “But how can you know anything about God other than what the Bible tells you?” Fair question, but that potential problem does not dismiss the observation about God in the Bible. When you get close to the Bible, prepare to have your view of the Bible reoriented. The irony is that it is the study of the Bible that has led me down this path.
And it’s a nice path, at least for me. God is more outside of my control this way, which I can’t help but think is as it should be. As Lydus said over 1400 years ago, Yahweh isn’t easy to get your arms around—for Israelites or for those who have followed in their footsteps.
You can listen to my podcast on this topic HERE. You can read more about the nature of the Bible and Christian faith in The Bible Tells Me So (HarperOne, 2014) and Inspiration and Incarnation (Baker 2005/2015).

Sunday, December 22, 2019

Book Review: The Reception of Jesus in the First Three Centuries




I'd read these if I could afford them; it would take some time but would offer a great insight into understanding early Christianity's antecedents and development across many historical perspectives. This is to say the bible was not dropped out of heaven already pre-formed but is a commentary on the lives of ancient societal knowledge struggling with the meaning and import to their lives. More simply it boils down to "Who is Jesus and what do I do with Him?"

R.E. Slater
December 22, 2019


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In The Reception of Jesus in the First Three Centuries, Chris L. Keith, Helen K. Bond, Christine Jacobi and Jens Schröter, together with an international cast of more than 70 contributors, provide a methodologically sophisticated resource, showing the reception history of Jesus and the Jesus tradition in early Christianity. The three volumes focus upon the diversity of receptions of the Jesus tradition in this time period, with memory theory providing the framework for approaching the complex interactions between the past of the tradition and the present of its receptions. Rather than addressing texts specifically as canonical or non-canonical, the volumes show the more complex reality of the reception of the Jesus tradition in early Christianity.

Core literary texts such as Gospels and other early Christian writings are discussed in detail, as well as non-literary contexts outside the gospel genre; including the Apostolic Fathers, patristic writers, traditions such as the Abgar Legend, and modifications to the gospel genre such as the Diatesseron. Evidence from material culture, such as pictographic representations of Jesus in iconography and graffiti (e.g. the staurogram and Alexamenos Graffito), as well as representations of Jesus tradition in sarcophagi and in liturgy are also included, in order to fully reflect the transmission and reception of the Jesus tradition.

Volume 1 provides an extensive introduction and, in 18 chapters, covers literary representations of Jesus in the first century, featuring gospel literature and other early Christian writings.

Volume 2 examines all the literary texts from the second and third centuries, across 40 chapters, examining both gospel writing and other texts.

Volume 3 examines visual, liturgical and non-Christian receptions of Jesus in the second and third centuries, across 24 chapters.


About the Authors

Chris Keith is Professor of New Testament and Early Christianity and Director of the Centre for the Social-Scientific Study of the Bible at St. Mary's University, Twickenham, UK.

Helen K. Bond is Professor in Christian Origins and New Testament at the University of Edinburgh, UK.

Christine Jacobi teaches at Humboldt University Berlin, Germany.

Jens Schröter is Professor of New Testament Exegesis and Theology, and New Testament Apocrypha, at Humboldt University Berlin, Germany.


Amazon Link - 

Reflections: Winter Solstice Day + One



The contemplation of nature means that we see all things, persons and moments as signs and sacraments of God. In our spiritual vision we are not only to see each thing in sharp relief, standing out in all the brilliance of its specific being, but we are also to see each thing as transparent: in and through each created thing we are to discern the Creator. Discovering the uniqueness of each thing, we discover also how each points beyond itself to him who made it. So we learn, in Henry Suso's words, to see the inward in the outward: “He who can see the inward in the outward, to him the inward is more inward than to him who can only see the inward in the inward.”
Bishop Ware, Kallistos, Bishop of Diokleia, The Orthodox Way, St. Vladimir's Seminary Press, Kindle Edition


Christ Be Our Light




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Winter Solstice:
A Crisis of Growth Amidst the Darkness
by H. Coverston.

Jesuit mystic Teilhard de Chardin observed processes of evolution taking place all around him in a world in which all is moving toward an Omega Point of reunification with the One. For Chardin, writing amidst the horrors of WWI, all events play a role in the evolution of our world. Even dark times like our own were necessary parts of the larger picture.

On this Winter Solstice Day when the darkness holds the northern hemisphere in its deepest grip, it is comforting to consider that even in the midst of our most anguished moments as peoples living in unsettling times, we shall not perish. No evolution can occur without the leaving behind of that which has preceded it, the new creation transcending and leaving behind those aspects of its former self which are no longer viable while transforming and bringing forward those aspects which continue to be useful to the new creation.

This may well be “a crisis of growth” we are experiencing, but even that is “more reason to hope.” For far sighted prophets and their words of hope, I give thanks this Solstice night.

“Whatever disorder we are confronted by, the first thing we must say to ourselves is that we shall not perish. This is not a mortal sickness: it is a crisis of growth. It well may be that the evil has never seemed so deep-rooted nor the symptoms so grave; but, in one sense, is that not precisely one more reason for hope? The height of a peak is a measure of the depths of the abysses it overtops.”
Pierre Teilhard de Chardin