Quotes & Sayings


We, and creation itself, actualize the possibilities of the God who sustains the world, towards becoming in the world in a fuller, more deeper way. - R.E. Slater

There is urgency in coming to see the world as a web of interrelated processes of which we are integral parts, so that all of our choices and actions have [consequential effects upon] the world around us. - Process Metaphysician Alfred North Whitehead

Kurt Gödel's Incompleteness Theorem says (i) all closed systems are unprovable within themselves and, that (ii) all open systems are rightly understood as incomplete. - R.E. Slater

The most true thing about you is what God has said to you in Christ, "You are My Beloved." - Tripp Fuller

The God among us is the God who refuses to be God without us, so great is God's Love. - Tripp Fuller

According to some Christian outlooks we were made for another world. Perhaps, rather, we were made for this world to recreate, reclaim, redeem, and renew unto God's future aspiration by the power of His Spirit. - R.E. Slater

Our eschatological ethos is to love. To stand with those who are oppressed. To stand against those who are oppressing. It is that simple. Love is our only calling and Christian Hope. - R.E. Slater

Secularization theory has been massively falsified. We don't live in an age of secularity. We live in an age of explosive, pervasive religiosity... an age of religious pluralism. - Peter L. Berger

Exploring the edge of life and faith in a post-everything world. - Todd Littleton

I don't need another reason to believe, your love is all around for me to see. – Anon

Thou art our need; and in giving us more of thyself thou givest us all. - Khalil Gibran, Prayer XXIII

Be careful what you pretend to be. You become what you pretend to be. - Kurt Vonnegut

Religious beliefs, far from being primary, are often shaped and adjusted by our social goals. - Jim Forest

We become who we are by what we believe and can justify. - R.E. Slater

People, even more than things, need to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone. – Anon

Certainly, God's love has made fools of us all. - R.E. Slater

An apocalyptic Christian faith doesn't wait for Jesus to come, but for Jesus to become in our midst. - R.E. Slater

Christian belief in God begins with the cross and resurrection of Jesus, not with rational apologetics. - Eberhard Jüngel, Jürgen Moltmann

Our knowledge of God is through the 'I-Thou' encounter, not in finding God at the end of a syllogism or argument. There is a grave danger in any Christian treatment of God as an object. The God of Jesus Christ and Scripture is irreducibly subject and never made as an object, a force, a power, or a principle that can be manipulated. - Emil Brunner

“Ehyeh Asher Ehyeh” means "I will be that who I have yet to become." - God (Ex 3.14) or, conversely, “I AM who I AM Becoming.”

Our job is to love others without stopping to inquire whether or not they are worthy. - Thomas Merton

The church is God's world-changing social experiment of bringing unlikes and differents to the Eucharist/Communion table to share life with one another as a new kind of family. When this happens, we show to the world what love, justice, peace, reconciliation, and life together is designed by God to be. The church is God's show-and-tell for the world to see how God wants us to live as a blended, global, polypluralistic family united with one will, by one Lord, and baptized by one Spirit. – Anon

The cross that is planted at the heart of the history of the world cannot be uprooted. - Jacques Ellul

The Unity in whose loving presence the universe unfolds is inside each person as a call to welcome the stranger, protect animals and the earth, respect the dignity of each person, think new thoughts, and help bring about ecological civilizations. - John Cobb & Farhan A. Shah

If you board the wrong train it is of no use running along the corridors of the train in the other direction. - Dietrich Bonhoeffer

God's justice is restorative rather than punitive; His discipline is merciful rather than punishing; His power is made perfect in weakness; and His grace is sufficient for all. – Anon

Our little [biblical] systems have their day; they have their day and cease to be. They are but broken lights of Thee, and Thou, O God art more than they. - Alfred Lord Tennyson

We can’t control God; God is uncontrollable. God can’t control us; God’s love is uncontrolling! - Thomas Jay Oord

Life in perspective but always in process... as we are relational beings in process to one another, so life events are in process in relation to each event... as God is to Self, is to world, is to us... like Father, like sons and daughters, like events... life in process yet always in perspective. - R.E. Slater

To promote societal transition to sustainable ways of living and a global society founded on a shared ethical framework which includes respect and care for the community of life, ecological integrity, universal human rights, respect for diversity, economic justice, democracy, and a culture of peace. - The Earth Charter Mission Statement

Christian humanism is the belief that human freedom, individual conscience, and unencumbered rational inquiry are compatible with the practice of Christianity or even intrinsic in its doctrine. It represents a philosophical union of Christian faith and classical humanist principles. - Scott Postma

It is never wise to have a self-appointed religious institution determine a nation's moral code. The opportunities for moral compromise and failure are high; the moral codes and creeds assuredly racist, discriminatory, or subjectively and religiously defined; and the pronouncement of inhumanitarian political objectives quite predictable. - R.E. Slater

God's love must both center and define the Christian faith and all religious or human faiths seeking human and ecological balance in worlds of subtraction, harm, tragedy, and evil. - R.E. Slater

In Whitehead’s process ontology, we can think of the experiential ground of reality as an eternal pulse whereby what is objectively public in one moment becomes subjectively prehended in the next, and whereby the subject that emerges from its feelings then perishes into public expression as an object (or “superject”) aiming for novelty. There is a rhythm of Being between object and subject, not an ontological division. This rhythm powers the creative growth of the universe from one occasion of experience to the next. This is the Whiteheadian mantra: “The many become one and are increased by one.” - Matthew Segall

Without Love there is no Truth. And True Truth is always Loving. There is no dichotomy between these terms but only seamless integration. This is the premier centering focus of a Processual Theology of Love. - R.E. Slater

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Note: Generally I do not respond to commentary. I may read the comments but wish to reserve my time to write (or write off the comments I read). Instead, I'd like to see our community help one another and in the helping encourage and exhort each of us towards Christian love in Christ Jesus our Lord and Savior. - re slater

Sunday, April 12, 2015

Paul and the "New Perspective of the Bible"


http://www.preachingpeace.org/

From the pen of my friend Michael Hardin - 

The New Perspective on Paul (see the Index of Relevancy22 for more articles on this subject) has for almost four decades (since the publication of E.P. Sanders 1977 'Paul and Palestinian Judaism' [and even before that in Krister Stendahls' 1963 essay on 'Paul and the Introspective Conscience of the West') been deconstructing the older reading of Romans as focused on personal salvation and now understands the Pauline meta-narrative to be that of the justification of the Gentiles inclusion into the covenant people of God. In other words, Romans is not about "my" personal salvation by faith" as much as it is about the bringing together of enemies (Jews and Gentiles) together in faith or by faith. The old paradigm has been completely debunked.


Almost all recent scholarship on Paul has moved in this direction (except for the hard core Lutherans). This is one of the most significant moves in reading the Bible since the Reformation. Sadly, pietistic Evangelicalism and spiritualist Charismatic Christianity still live in the illusion that the old "I,me, my" reading of Romans is still proper to Paul when it is not. The massive deconstruction of this position in the first 470 pages of Douglas Campbell's The Deliverance of God completely mitigates the narcissitic reading so familiar to 99% of the Christian population. This is not to mention all of the incredible work by Pauline scholars such as Tom Wright, Jimmy Dunn and others.

Appeals to the Fourth Gospel and arguments therein that Christians are called to have an intimate relationship with God, (as though that was the primary overarching meta-narrative of the Fourth Gospel) have for a long time been critiqued with the recognition placed by the writer and redactor of this text on the community of faith. Furthermore, as I have shown, the structure of I John is one oriented, not to a personal relationship with God but to social ethics.

Jesus' call to discipleship is never to the crowd but always to the individual. This is true. However, that call to discipleship in the Synoptics never has to do with a personal relationship to him in some 'spiritual' or 'pietistic' sense but is a call to live out in one's life the same ethic he lived out in his life.

My point: one skews the Bible if one reads the meta-narrative of the Bible so that the goal of the Bible is to create a personal mystical relationship with the divine. That component, to be sure, is not absent from scripture, but it is not its emphasis. People who read the bible this way are out of step with the Bible itself which is always focused globally, historically and cosmically. The notion of a 'personal relationship' with Jesus (or God) is a fiction of the post-Reformation era, a step-child of the Enlightenment fantasy of the 'individual.' Humans are not individuals, we are inter-dividual (to use a term coined by Rene Girard). This is why ethics plays such a prominent role in the New Testament. Notice I said ethics, not morality, not law. Ethics has to do with our human relationships, especially our relationships with the enemy 'other.'

Over the past two years I have seen more misunderstanding of the Bible from certain circles than I could have ever imagined. The swamp of a 'personal relationship' with Jesus has turned into a tar pit from which persons do not seem to be able to escape. Why? Because they have turned their own personal experience into a subtle form of self-justification. Their experience has become a 'Law' internalized, psycholgized and spiritualized. Thus they cannot see beyond themselves and so it is that they identify their salvation with their experience. This is just another form of natural theology, so roundly critiqued by Karl Barth. Those who fail to see this are doomed to dwell in their own subjectivity which they project onto the highest category they know (God).

There is a world of difference between discipleship and the modern 'personal relationship' with Jesus. The former teaches persons to follow Jesus, the latter seduces the person into just following themselves (or the group/cult leader). And so it is in these circles we have the never go ending merry go round of self-justification, whether it be by orientation to an external law or orientation to an internal law. Either way it is self-justification. And as such, this type of Christian focus has nothing to do with the gospel of the Lord Jesus and his work on behalf of all humanity.

Please remember that in the parable of the sheep and the goats, it was the goats who 'had they seen Jesus in the 'other'' (that is, had they recognized that the 'other' was Jesus with whom presumably these goats had a 'personal relationship' [sic]), they would have aided them. It was the sheep who 'did not see Jesus in the other' (who did what they did because it was the right thing to do not out of some alleged 'overflow of a personal relationship' with Jesus) who are commended.

Michael Hardin
April 12, 2015

ps - What I'm Not Saying: "I am NOT saying that one cannot have a personal experience of the transcendent; I am simply saying we should neither make personal experience the meta-narrative of the Bible nor should we confuse our subjective experience with 'Reality.' "


Michael Hardin, the "Dude of Theology"



http://www.preachingpeace.org/


For more on the "New Perspective of Paul" go to the Articles Index
of Relevancy22 under this topic to the immediate right.

Or start here and follow the topic index at the bottom of both 
this current post and any related post on NPP - 




Monday, April 6, 2015

The Politics of the Bible Both Then and Now


Artwork is by Marc Chagall

My Problem With the Bible
http://brianzahnd.com/2014/02/problem-bible/

February 17, 2014

I have a problem with the Bible. Here’s my problem…

I’m an ancient Egyptian. I’m a comfortable Babylonian. I’m a Roman in his villa.

That’s my problem. See, I’m trying to read the Bible for all it’s worth, but I’m not a Hebrew slave suffering in Egypt. I’m not a conquered Judean deported to Babylon. I’m not a first century Jew living under Roman occupation.

I’m a citizen of a superpower. I was born among the conquerors. I live in the empire. But I want to read the Bible and think it’s talking to me. This is a problem.

One of the most remarkable things about the Bible is that in it we find the narrative told from the perspective of the poor, the oppressed, the enslaved, the conquered, the occupied, the defeated.

This is what makes it prophetic. We know that history is "written by the winners. This is true — except in the case of the Bible it’s the opposite!" This is the subversive genius of the Hebrew prophets. They wrote from a bottom-up perspective.

Imagine a history of colonial America written by Cherokee Indians and African slaves. That would be a different way of telling the story! And that’s what the Bible does. It’s the story of Egypt told by the slaves. The story of Babylon told by the exiles. The story of Rome told by the occupied. What about those brief moments when Israel appeared to be on top? In those cases the prophets told Israel’s story from the perspective of the peasant poor as a critique of the royal elite. Like when Amos denounced the wives of the Israelite aristocracy as “the fat cows of Bashan.”

Every story is told from a vantage point; it has a bias. The bias of the Bible is from the vantage point of the underclass. But what happens if we lose sight of the prophetically subversive vantage point of the Bible? What happens if those on top read themselves into the story, not as imperial Egyptians, Babylonians, and Romans, but as the Israelites? That’s when you get the bizarre phenomenon of the elite and entitled using the Bible to endorse their dominance as God’s will.

This is Roman Christianity after Constantine. This is Christendom on crusade. This is colonists seeing America as their promised land and the native inhabitants as Canaanites to be conquered. This is the whole history of European colonialism. This is Jim Crow. This is the American prosperity gospel. This is the domestication of Scripture. This is making the Bible dance a jig for our own amusement.

As Jesus preached the arrival of the kingdom of God he would frequently emphasize the revolutionary character of God’s reign by saying things like, “the last will be first and the first last.” How does Jesus’ first-last aphorism strike you? I don’t know about you, but it makes this modern day Roman a bit nervous.

Imagine this: A powerful charismatic figure arrives on the world scene and amasses a great following by announcing the arrival of a new arrangement of the world where those at the bottom are to be promoted and those on top are to have their lifestyle “restructured.” How do people receive this? I can imagine the Bangladeshis saying, “When do we start?!” and the Americans saying, “Hold on now, let’s not get carried away!”

Now think about Jesus announcing the arrival of God’s kingdom with the proclamation of his counterintuitive Beatitudes. When Jesus said, “Blessed are the meek, for they shall inherit the earth,” how was that received? Well, it depends on who is hearing it. The poor Galilean peasant would hear it as good news (gospel), while the Roman in his villa would hear it with deep suspicion. (I know it’s an anachronism, but I can imagine Claudius saying something like, “sounds like socialism to me!”)

And that’s the challenge I face in reading the Bible. I’m not the Galilean peasant. Who am I kidding! I’m the Roman in his villa and I need to be honest about it. I too can hear the gospel of the kingdom as good news (because it is!), but first I need to admit its radical nature and not try to tame it to endorse my inherited entitlement.

I am a (relatively) wealthy white American male. Which is fine, but it means I have to work hard at reading the Bible right. I have to see myself basically as aligned with Pharaoh, Nebuchadnezzar, and Caesar. In that case, what does the Bible ask of me? Voluntary poverty? Not necessarily. But certainly the Bible calls me to deep humility — a humility demonstrated in hospitality and generosity. There’s nothing necessarily wrong with being a relatively well-off white American male, but I better be humble, hospitable, and generous!

  • If I read the Bible with the appropriate perspective and humility I don’t use the story of the Rich Man and Lazarus as a proof-text to condemn others to hell. I use it as a reminder that I’m a rich man and Lazarus lies at my door.
  • I don’t use the conquest narratives of Joshua to justify Manifest Destiny. Instead I see myself as a Rahab who needs to welcome newcomers.
  • I don’t fancy myself as Elijah calling down fire from heaven. I’m more like Nebuchadnezzar who needs to humble himself lest he go insane.

I have a problem with the Bible, but all is not lost. I just need to read it standing on my head. I need to change my perspective. If I can accept that the Bible is trying to lift up those who are unlike me, then perhaps I can read the Bible right.

BZ



The Politics of Jesus' Death Both Then and Now





Fleet Foxes - Helplessness Blues (with lyrics)




I was raised up believing
I was somehow unique
Like a snowflake distinct among snowflakes
Unique in each way you can see

And now after some thinking
I'd say I'd rather be
A functioning cog in some great machinery
Serving something beyond me

But I don't, I don't know what that will be
I'll get back to you someday soon you will see

What's my name, what's my station
Oh just tell me what I should do
I don't need to be kind to the armies of night
That would do such injustice to you

Or bow down and be grateful
And say "Sure take all that you see"
To the men who move only in dimly-lit halls
And determine my future for me

And I don't, I don't know who to believe
I'll get back to you someday soon you will see

If I know only one thing
It's that every thing that I see
Of the world outside is so inconceivable
Often I barely can speak

Yeah I'm tongue tied and dizzy
And I can't keep it to myself
What good is it to sing helplessness blues?
Why should I wait for anyone else?

And I know, I know you will keep me on the shelf
I'll come back to you someday soon myself

If I had an orchard
I'd work till I'm raw
If I had an orchard
I'd work till I'm sore

And you would wait tables
And soon run the store

Gold hair in the sunlight
My light in the dawn
If I had an orchard
I'd work till I'm sore

If I had an orchard
I'd work till I'm sore

Someday I'll be
Like the man on the screen





Sunday, April 5, 2015

The Politics of Jesus' Death Both Then and Now




Jesus’ radical politics

by Brandon Ambrosino
April 1, 2015

In his kingdom, enemies are loved, the marginalized prioritized,
and wealth inequality exposed for the sham it is.

TWO THOUSAND years have sanitized Easter for most people. Jesus is alive, we sing each spring, and now let’s get on with lilies and chocolates and bunnies and think about what his resurrection means for us — namely, that we get to go to heaven when we die, and perhaps more important, a lot of other people don’t.

A more careful look at the Gospels, however, might offer a much less sentimental, much more startling picture of the original Easter message, which was decidedly not, “Jesus is alive, and here’s what that means for the next world.” Rather, the true lesson was: “Jesus is alive, and here’s what that means for this one.”

The central claim of Easter — and indeed, of Christianity — has always been that the rejected, tortured, crucified, dead, and then resurrected Jesus is somehow Lord of the entire earth. If that doesn’t sound particularly scandalous today, imagine you’re hearing it for the first time while living in the Roman Empire. As many New Testament scholars argue, hearing “Jesus is Lord” in the first century might sound suspiciously like a bold rejection of the standard Roman creed at the time: “Caesar is Lord.” (There is a lot of discussion about this, but even a quick glance of the Gospels and Acts shows that the texts contain instances of anti-imperial rhetoric.)

'Remember the Stranger in Your Midst"

What’s radical about Easter, then, is not that Christians claim a dead man rose from the dead. What’s radical is what that means — specifically, what it meant for Rome, and, by implication, what it means for all kingdoms everywhere, including the ones we live in. Jesus’ resurrection marked the end of Caesar’s way of doing things. It established a new kingdom in which enemies are loved, the marginalized are given primacy of place, and the poor are blessed. In this kingdom, hierarchies are subverted, concentrated power is decentralized, and prodigal children are welcomed home. Black lives matter here, as do queer lives and the lives of undocumented aliens within our borders — “Remember the stranger in your midst” is a common refrain in this kingdom.

Of course, speaking about Jesus in such a political way is not without its dangers. Many with political agendas are guilty of branding their particular ideologies with the name of Jesus, both on the right and left. But there’s no denying that, at least in recent US history, conservatives have been ready to marry God and government. As a result, Christianity has come to be associated less with policies aimed at helping the poor — and more with those that often serve to keep them down. The tragic irony, of course, is that, as the Gospel of Luke teaches, Jesus’ ministry is inaugurated with the announcement that the Spirit of the Lord compels him to preach good news to the poor.

Though the name of God is sometimes invoked to justify war and greed and the oppression of already marginalized persons, the broken body of Jesus seems rather like a prophetic protest against those values. Philosopher John Caputo discusses this irony in his 2007 book, “What Would Jesus Deconstruct?” — a play on the phrase “What Would Jesus Do?” that many conservatives have plastered onto their cars, T-shirts, bracelets, etc.

The gospels, Caputo writes, invite us to imagine a new way of life where the poetics of Jesus’ kingdom are transformed into political structures:

“What would it be like if there really were a politics of the bodies of flesh that proliferate in the New Testament, a politics of mercy and compassion, of lifting up the weakest and most defenseless people at home, a politics of welcoming the stranger and of loving one’s enemies abroad?

What would it be like if there were a politics of and for the children, who are the future; a politics not of sovereignty, of top-down power, but a politics that builds from the bottom up, where "ta me onta "[lit. “the nothings”] enjoy pride of place and a special privilege?”

Caputo then asks this frightening question: “Would [this politics] not be in almost every respect the opposite of the politics that presently passes itself off under the name of Jesus?”

"Love Your Enemies, Bless Those Who Curse You"

ONE LOOK at current events across the globe today, and Caputo’s imaginings may be easily dismissed. How can Americans simply turn the other cheek to our warring enemies? How can anyone expect the government to make sure each child is looked after? And working to eliminate poverty? Wasn’t Jesus talking about spiritual poverty? That’s a private matter, not a public one. Those kinds of policies just aren’t practical in 2015.

Of course they aren’t. They weren’t practical in Jesus’ day, either. That’s one of the reasons Jesus was killed. He was, to use Caputo’s word, mad. How else do you explain his teachings? Love your enemies. Bless those who curse you. Do good to them who use you. Do not retaliate. Look after your neighbor. The meek will inherit the earth.

But the madness of God is wiser than the wisdom of man, as Paul reminds us, just like God’s weakness is stronger than human strength. And it’s the kingdom of this God — who, contrary to what anyone expected, is weak, mad, and disruptive — that Jesus is both announcing and installing.

“If I, with the finger of God, cast out demons among you, then the Kingdom of God has come near to you,” says Jesus, and his Jewish hearers might have understood the scandalous reference. Scandalous because in this brief line, Jesus seems to be identifying himself with the same God who heard the cry of oppressed Israel and took it upon himself to liberate them from Egypt. As the Book of Exodus recounts, when Pharaoh refuses Moses’ request to let the Hebrews go, a battle of miracles quickly ensues. Though Pharaoh’s magicians try to imitate the wonders that Moses ascribes to God, they don’t succeed. “This is the finger of God,” they explain to Pharaoh, which creates wonders, which liberates God’s people from the empires that enslave them. The finger of God, they reluctantly acknowledge, is mightier than the strongest arm of any world leader.

In reinterpreting this passage around his life and ministry, Jesus is giving us a glimpse into what he thought of himself (who but God alone works wonders by the finger of God?) as well as into what he thought about his kingdom: that, though it’s ultimate fulfillment will be in the future, look around you — it’s already here. As New Testament scholar N.T. Wright explains, for Jesus, God’s kingdom “wasn’t just an aspiration; it was an accomplishment.” Jesus was convinced that his life and preaching and miracles were bringing about the kingdom his followers had longed for.

An Unexpected Kingdom

Only, Jesus’ kingdom of peace and love looked much different than the one that Jews at the time hoped the Messiah would establish. One of Jesus’ more cryptic sayings is found in Matthew’s Gospel. After a strange discussion of kingdom, Jesus compares his audience to children sitting in the marketplace singing to each other, “We played the flute for you, but you did not dance; we sang a dirge, and you did not mourn.” Jesus, he hears them say, you are not the Messiah we expected. To which he responds: I will not dance when you tell me to dance. I will not cry when you tell me to cry. I will not be the Messiah you tell me to be. I am here to show you a different sort of dance, a different way; follow me, and build my father’s kingdom, which looks very different than the ones you cling to.

This is the prophetic memory of Jesus that rushes toward us today. What would Jesus do if he showed up today, say, in Washington, D.C.? Would he turn a blind eye to racial injustices in Ferguson and elsewhere? Would he lobby to ensure that entire swaths of our population continue to feel as if they don’t belong in their cities, in their religious congregations, in their local bakeries? Would he, interested as he is in the physical bodies of all he encounters, enact policies that bar people from the health care they desperately need?

At the same time, can we really be sure that Jesus would protest with Wall Street Occupiers, railing against the one percent? This is the same Jesus who, as Luke recounts, tells his followers that if just one of their sheep wanders away from the fold, they are to leave the 99 and go after the one percent. And can we be equally sure that this Jesus, who has no patience for greed, would spend all of his energy condemning the wealthy? This is the same Jesus, after all, who is rumored to be the friend of tax collectors.

A Kingdom of Disruption

This is why it won’t do merely to begin with a political ideology and brand it with Jesus’ memory. The memory of Jesus is disruptive to all kingdoms, to all earthly powers, without respect to any specific political affiliation or agenda.

What we can imagine that Jesus would probably do — indeed what he definitely did do, is to suddenly, without warning, announce that his new kingdom is breaking in upon all of us, has broken in upon us, and that this kingdom is almost the exact reversal of what any of us thought kingdoms were supposed to be. This new king will not tolerate oppression and systemic poverty, nor he will excuse violence directed at those in power. He has no patience for any dirges or dances. He is here about his father’s business.

"Do This Unto the Lest of These as Unto Me"

THE BELLS of Easter Sunday, comforting though they may be, are actually a call to war, albeit a nonviolent kind of war; a call to rise up, to act up, to announce to the powers and principalities that rule our nations that their power has an expiration date, that their rule is a sham, that their kingdom has been undone by the one who undoes death.

The rebuttal here has always been: Open your eyes. This kingdom you’re talking about — where the last are first, where the outsiders are preferred — is not here. There is war. There is evil. There is death and rape and racism and unemployment and sex trafficking. There is a brutally agonizing world here and now, and to pretend otherwise is either naive or morally bankrupt.

But Easter doesn’t deny these things. After all, even the resurrected body of Jesus contains crucifixion scars, which are Jesus’ eternal reminder that he was murdered by the very people he came to save. What Easter teaches is this: Even in the midst of the kingdom you’re living in, it’s possible to actually pledge loyalty to a different one. By feeding the hungry, forgiving your enemies, and providing shelter for the homeless, you can actually choose to live in the kingdom Jesus established.

Hope, then, is not a spiritual thing, or a reflective exercise; it’s decidedly physical. If you believe Jesus was raised from the dead, the obligation that Jesus puts upon you is to meet people’s physical needs. “Do not abandon yourselves to despair,” said Pope John Paul II. “We are the Easter people, and alleluia is our song.”

This alleluia is both a praise and protest. The world is made new, alleluia, and all lives matter. Creation is transformed, alleluia, and therefore let us embrace the strangers in our midst. The tomb is empty, alleluia, now let us work to heal the hurt of all those who have been discriminated against, made to feel like second-class citizens. In God’s kingdom, after all, there is only one class of citizen, because all have inherited the same birthright from their heavenly father.

Two thousand years later, the promise of Easter has not lost its power. The risen Jesus, then as now, invites us to live in this world as if it is somehow a different world.

Because, alleluia, it is.

*Brandon Ambrosino covers culture and religion for Vox.com.




"This Easter I've really been trying to focus on the one I fell in love with a few years ago,
Jesus, as the man who took on our sins and died. I picture the scene in the Son of God, which
still can barely count the ways he suffered. I literally ache for Jesus in the sufferings knowing
that it was our crap that put him there. It has caused a lot of tears this week as I study him
more and more and it has opened my heart to recognize some things that have been
hindering my growth. To the man that saved my life, who now sits on the throne. My heart
is for you. My help came from you. With that I owe my life." - anon


Matthew 28
English Standard Version (ESV)

The Resurrection

28 Now after the Sabbath, toward the dawn of the first day of the week, Mary Magdalene and the other Mary went to see the tomb. 2 And behold, there was a great earthquake, for an angel of the Lord descended from heaven and came and rolled back the stone and sat on it. 3 His appearance was like lightning, andhis clothing white as snow. 4 And for fear of him the guards trembled andbecame like dead men. 5 But the angel said to the women, “Do not be afraid, for I know that you seek Jesus who was crucified. 6 He is not here, for he has risen, as he said. Come, see the place where he[a] lay. 7 Then go quickly and tell his disciples that he has risen from the dead, and behold, he is going before you to Galilee; there you will see him. See, I have told you.” 8 So they departed quickly from the tomb with fear and great joy, and ran to tell his disciples.9 And behold, Jesus met them and said, “Greetings!” And they came up andtook hold of his feet and worshiped him. 10 Then Jesus said to them, “Do not be afraid; go and tell my brothers to go to Galilee, and there they will see me.”

The Report of the Guard

11 While they were going, behold, some of the guard went into the city and told the chief priests all that had taken place. 12 And when they had assembled with the elders and taken counsel, they gave a sufficient sum of money to the soldiers 13 and said, “Tell people, ‘His disciples came by night and stole him away while we were asleep.’ 14 And if this comes to the governor's ears, we willsatisfy him and keep you out of trouble.” 15 So they took the money and did as they were directed. And this story has been spread among the Jews to this day.

The Great Commission

16 Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. 17 And when they saw him they worshiped him, but some doubted. 18 And Jesus came and said to them, “All authority in heaven and on earth has been given to me. 19 Go therefore and make disciples of all nations,baptizing them in[b] the name of the Father and of the Son and of the Holy Spirit, 20 teaching them to observe all that I have commanded you. And behold,I am with you always, to the end of the age.”

Footnotes:
Matthew 28:6 Some manuscripts the Lord
Matthew 28:19 Or into







Fleet Foxes - Helplessness Blues (with lyrics)




I was raised up believing
I was somehow unique
Like a snowflake distinct among snowflakes
Unique in each way you can see

And now after some thinking
I'd say I'd rather be
A functioning cog in some great machinery
Serving something beyond me

But I don't, I don't know what that will be
I'll get back to you someday soon you will see

What's my name, what's my station
Oh just tell me what I should do
I don't need to be kind to the armies of night
That would do such injustice to you

Or bow down and be grateful
And say "Sure take all that you see"
To the men who move only in dimly-lit halls
And determine my future for me

And I don't, I don't know who to believe
I'll get back to you someday soon you will see

If I know only one thing
It's that every thing that I see
Of the world outside is so inconceivable
Often I barely can speak

Yeah I'm tongue tied and dizzy
And I can't keep it to myself
What good is it to sing helplessness blues?
Why should I wait for anyone else?

And I know, I know you will keep me on the shelf
I'll come back to you someday soon myself

If I had an orchard
I'd work till I'm raw
If I had an orchard
I'd work till I'm sore

And you would wait tables
And soon run the store

Gold hair in the sunlight
My light in the dawn
If I had an orchard
I'd work till I'm sore

If I had an orchard
I'd work till I'm sore

Someday I'll be
Like the man on the screen





Friday, April 3, 2015

Taste and Parody collide with Art and Music


The Indie Band Hold Your Horses! web link




70 Million by Hold Your Horses ! (official music video)



Matching the Art with the Scenes



What the Master Pieces Meant



Matching the Art with the Scenes




70 Million Lyrics
Hold Your Horses!

And it hardly looked like a novel at all,
I hardly look like a hero at all
And I'm sorry, you didn't publish this
And you were white as snow; I was white as a sheet

When you came down in this black dress
In your mom's black maternity dress
And so,
Though it hardly looked like a novel at all,
And the city treats me, it treats me to you
And a cup of coffee for you
I should learn it's language and speak it to you

And 70 million should be in the know
And 70 million don't go out at all
And 70 million wouldn't walk this street
And 70 million would run to a hole
And 70 million would be wrong wrong wrong
And 70 million never see it at all
And 70 million haven't tasted snow

And we dance dance dance like the children dance
Imply thought are we taking the chance?
With the light still on, and will we ever reach the tower

And after you came down in this black dress
I don't know what took so very long
And this,
And this isn't a war, we don't have to ration
Now wave white flag, and you kept it at home
And words I wrote from a foreign land
You're holding my no longer foreign hand

And 70 million should be in the know
And 70 million don't go out at all
And 70 million wouldn't walk this street
And 70 million would run to a hole
And 70 million would be wrong wrong wrong
And 70 million never see it at all
And 70 million haven't tasted snow


* * * * * * * * * *


In the music video for the song "70 Million," indie pop band
Hold Your Horses! interprets 25 paintings, including
Magritte's  The Son of Man. | L'Ogre



PLAYING GOD, JESUS, AND LIBERTY
http://www.artnews.com/2010/05/01/playing-god-jesus-and-liberty/

May 1, 2010
How a rock band restaged art-history classics for a music video that went viral.

As Salome carries his head on a silver platter, John the Baptist opens his eyes and sings a merry little melody to the camera.

That scene -- enacted by members of the French-American indie pop band Hold Your Horses! -- helped turn the music video for their song “70 Million” into a viral hit on the Internet, viewed nearly 300,000 times within two weeks of its being posted on the Web site Vimeo.

But it wasn’t this live-action re-staging of Caravaggio‘s Salome with the Head of Saint John the Baptist alone that did it. The three-minute video, created by the small production house L’Ogre, careens through 25 tableaux vivants of iconic works, ranging from Velázquez‘s Las Meninas to Munch‘s The Scream, from Manet‘s Olympia to Klimt‘s The Kiss.

All this art history was filmed over two weekends in a parking garage in Paris, using chalk drawings as backdrops and a smoke machine for fog. To re-create the cloudy sky in Michelangelo‘s Sistine Chapel ceiling, the production team ripped out the stuffing from 200 pillows. “The idea was to make the paintings youthful and funny and rock-and-roll,” the video’s director, David Freymond, says. “We were not trying to be too academic.”

The video begins with Jesus, from Leonardo‘s The Last Supper, drumming on a pot with a pair of wooden spoons. Frida Kahlo (from her self-portraits), van Gogh (from his Self-Portrait with Bandaged Ear), and Picasso‘s muse Dora Maar (from his Portrait of Dora Maar) are among the recognizable characters taking subsequent turns with the upbeat tune. One band member sings while smoking a cigarette, interpreting Otto Dix‘s Portrait of the Journalist Sylvia von Harden.

The music video “breaks with the image of a rock band,” Freymond says. “This poor band has to get naked—to re-create Renaissance paintings.” Well, not entirely naked: the Venus of Botticelli‘s The Birth of Venus wears a guitar as a cover-up.

The irreverent effort—for an enigmatic song the band claims is about the shifting feelings in a romantic relationship—required feats of costuming. A head covering and the perfect piece of jewelry turned guitarist Charles van den Boogaerde into Vermeer‘s Girl with a Pearl Earring. A bowler hat transformed bassist Robin Montmusson into Magritte‘s Son of Man. The same hat, adorned with a feather, appears in a staging of Holbein the Younger‘s Henry VIII.

To become Van Gogh’s sunflowers, band members covered their arms in green paint. Cellist Simon Tordjman had his face painted white, blue, red, yellow, and black to approximate a Mondrian painting. And six of the band’s seven members got to play the part of Warhol‘s Marilyn Monroe. They all wore the same wig, spray-painted a different color for each shot.

Part of the fun is watching unlikely subjects bang out the tune. The cadaver in Rembrandt‘s The Anatomy Lesson of Doctor Nicolaes Tulp reaches over to play a few notes on a melodica, for example. In an evocation of Gabrielle d’Estrées and One of Her Sisters, by an unknown 16th-century painter, a shirtless musician sways his head to the beat as he pinches the nipple of a comrade strumming a guitar. In most cases instruments are not in the original artworks, with Chagall‘s The Bride a notable exception: as in the painting, in the music video a goat (or rather a man with a goat mask attached to his head) plays the cello.

Florence Villeminot, drummer and vocalist, has starring roles in the stagings of The Creation of Adam, from Michelangelo’s Sistine Chapel, Leonardo’s The Last Supper, and Eugène Delacroix‘s Liberty Leading the People. “I was happy because I got to be God, the Virgin Mary, Jesus, and Liberty. That was my goal when I joined the band,” Villeminot quips.

In order of “appearance” in the Hold Your Horses! music video for “70 Million”:


  • Leonardo, The Last Supper (1492–98)
  • Botticelli, The Birth of Venus (ca. 1485)
  • Rembrandt, The Anatomy Lesson of Doctor Nicolaes Tulp (1632)
  • Holbein the Younger, Henry VIII (ca. 1536)
  • Vermeer, Girl with a Pearl Earring (ca. 1665–66)
  • Théodore Géricault, The Raft of the Medusa (1818–19)
  • Jacques-Louis David, The Death of Marat (1793)
  • Michelangelo, The Creation of Adam (ca. 1511)
  • Magritte, The Son of Man (1964)
  • Mondrian, after various compositions
  • Frida Kahlo, after several self-portraits
  • Picasso, Portrait of Dora Maar (1937)
  • Munch, The Scream (1893)
  • Van Gogh, Self-Portrait with Bandaged Ear (1889)
  • Warhol, after various Marilyns
  • Unknown artist, Gabrielle d’Estrées and One of Her Sisters (ca. 1594)
  • Cenni di Pepo, Madonna and Child Enthroned with Six Angels (ca. 1280)
  • Caravaggio, Salome with the Head of Saint John the Baptist (1606–7)
  • Manet, Olympia (1863)
  • Delacroix, Liberty Leading the People (1830)
  • Otto Dix, Portrait of the Journalist Sylvia von Harden (1926)
  • Klimt, The Kiss (1907–8)
  • Chagall, The Bride (1950)
  • Velázquez, Las Meninas (ca. 1656)
  • Van Gogh, Vase with 12 Sunflowers (1888)

Copyright 2015, ARTnews LLC, 40 W 25th Street, 6th Floor, New York, N.Y. 10010. All rights reserved.





* * * * * * * * * *



70 million
by whart

This isn’t about an art event/exhibition (I have something else from that I’m still trying to edit) but I found an interesting video – interesting, humorous and pretty creative. It’s a music video for the band Hold Your Horses.

[First question]... How many paintings did you recognize? :)

Anyway, I guess this is a highly relevant video considering that we were discussing how advertising appropriates art in the last lesson. This is a pretty literal example of it, and it is also an example of parody. I think there are two possible implications.


1) The humour is disrespectful to the artworks as it violates their sanctity and doesn’t bring out their original meaning or context context e.g. if you think about how serious and emotional a Van Gogh painting is and how it has been turned into a funny singing man.

Also, the use of art for advertising [music] is objectionable…turning a priceless creation into low entertainment and a way to earn money.

The second one is the one most people will have and the one that I personally had.


2) It is humorous, but not in a malicious way. Seeing old and familiar artworks portrayed in a new way that is not mocking of them, but took creativity to plan and execute, is pleasant and inspiring. It is a lighthearted take on paintings that might otherwise be regarded as serious or boring by most people, and an expression of the band and director’s own creativity.

That is the view I lean more towards, although I won’t deny that the video doesn’t do justice to many of the original artworks’ emotional content and sense of pathos. In that sense I think I am quite pragmatic about art and reproductions

I would rather a piece of artwork be reproduced, reused, given new meaning and made
relevant to a new audience rather than remain a sacred object that only a few people
are motivated to try and understand on a deeper level. (As long as the meaning is not
in conflict with the old one, and as long as it is not used for banal/unrelated/really
disrespectful like my toilet paper holder.)

It was the same thing when we were having the show and tell with all the appropriated/reproduced art we found and I said about my Coldplay album that I felt it was an acceptable use of art.

I guess you could say that both the video and the album cover do this. They are appropriating the artwork’s of the Old Masters, and on one hand it is a form of advertising (advertising to get people to buy the music) but on the other hand I feel they are creative endeavours in their own right.

The Coldplay album is part of a whole musical concept and idea the band is trying to evoke, while the direction and production of a video is a difficult and creative process. The paintings are the creative works of the past, but these are the creative works of the present, and we can’t deny that they have a broader appeal in today’s world.

Thus, I think it is a mistake to dismiss all reproduction as harmful and disrespectful to art. It isn’t something that can be stamped out or ignored, and like everything else, it has ambiguous and double-edged impacts, and some of these impacts can be positive, inspiring and creative. I feel that if we take all paintings so seriously and deny any kind of perspective or commentary on them other than the serious, classical, respectful one, we are not doing justice to their complexity and the way people relate to them.

-- Grace

Thursday, April 2, 2015

5 Things You Didn't Know About Easter


In parts of Spain, Easter celebrations often involve Christians processing through the
streets carrying crucifixes and other religious icons | Andres Kudacki, Associated Press


5 Things You Didn't Know About Easter
http://www.huffingtonpost.com/2015/04/01/facts-about-easter-you-didnt-know_n_6982358.html?ncid=fcbklnkushpmg00000051

The Huffington Post
April 1, 2015

For Christians, Easter is a celebration of the resurrection of Jesus Christ -- and arguably the most important date on the religious calendar. Easter marks the end of Lent, a 40-day period of fasting and reflection. The day holds the promise of victory over death, a new life and the forgiveness of sins.

The first recorded observance of Easter happened in the second century, though it is likely that Christians were celebrating the resurrection much earlier than that. Today, the holy day has inspired a wide variety of traditions -- from Sweden’s trick-or-treating Easter witches to Venezuela’s tradition of burning effigies of Judas.

Here are five little-known facts about the Easter holiday.

1
There’s more than one theory about where Easter got its name.

PAPER BOAT CREATIVE VIA GETTY IMAGES

The word Easter has been linked to Eostre, an Anglo-Saxon goddess of spring and new life. Other scholars trace the name of the holiday to the Latin phrase “hebdomada alba,” which means “white week.” According to tradition, new Christians were baptized into the faith on Easter while wearing white clothes. The phrase evolved into “eostarum” in Old High German, becoming “Ostern” in modern German and “Easter” in English.

But in many other languages, the word for Easter is still deeply tied to Passover, the festival that celebrates the exodus of the Jews from Egypt. Jesus was crucified soon after he arrived in Jerusalem to celebrate the Passover feast.

The Orthodox Church calls Easter “Pascha.” In French, the holiday is known as “Pâques.” In Spanish, it is “Pascua,” and in Dutch, “Pasen.”

2
Easter has always been tied to the moon.

MKOTERA555 VIA GETTY


Since the Jewish calendar is based on lunar cycles, Passover falls on 14 Nisan, the 14th day of the first full moon of spring. Christians in Asia Minor used to remember the crucifixion on the 14 Nisan, and celebrate the resurrection on 16 Nisan. But this meant that Easter could fall on any day of the week. On the other hand, Christians in the West celebrated Easter on the first Sunday after 14 Nisan.

In 325, the Roman Emperor Constantine I gathered bishops from around his empire at the Council of Nicaea to hammer out a solution to this and other debates raging in the early church. The council decided that Easter would be observed on the first Sunday following the first full moon after the spring equinox.

3
Easter is the reason why we use the Gregorian calendar.

HULTON ARCHIVE VIA GETTY


By the 16th century, scholars had realized that the Roman Empire’s Julian calendar was out of sync with the solar year -- and that Easter was falling further away from the spring equinox. In an effort to close the gap, Pope Gregory XIII introduced the Gregorian calendar. But because of old religious rivalries, Protestants in Europe were dead set against the change. It wasn’t until 1752 that England adopted the Gregorian calendar. On that day, the country skipped forward 11 days overnight, going from Wednesday, September 2, to Thursday, September 14. The Gregorian calendar is still the most widely used civil calendar today.

Eastern Orthodox churches still use the Julian calendar to calculate religious holidays. As a result, while most of the Western world will celebrate Easter on April 5 this year, Orthodox churches are celebrating on April 12.

4
The Pilgrims despised Easter celebrations.

BOSTON GLOBE VIA GETTY IMAGES


Christianity in the early New England colonies was very different from Christianity in America today. The Puritans scorned religious holidays like Easter and Christmas, claiming they had pagan roots and lacked a scriptural basis. In fact, the Puritans flat-out outlawed Christmas celebrations in the Massachusetts Bay Colony from 1659 to 1681, slapping rule-breakers with a then-hefty fine of five shillings.

Some Christian denominations are still wary of religious holidays. Jehovah’s Witnesses and many Pentecostal churches, for example, still discourage their members from celebrating Easter.

5
The Easter Bunny barely scratches the surface of this holiday's traditions.

JAIME REINA VIA GETTY IMAGES

When Easter swings around in America, there’s no escaping the Easter Bunny and his colorful basket of eggs. But across the world, Christians have developed many interesting ways of marking the holiday. In Sweden, young girls dress up as Easter Witches and travel from house to house looking for treats. In some parts of Latin America and Greece, Christians burn effigies of Judas, the disciple who betrayed Jesus. In Venezuela last year, some protesters used the holiday to burn an effigy of their president, Nicolas Maduro. Bermudan Christians fly brightly colored kites on Good Friday to represent Christ’s ascension to heaven.

In Spain, some Christians don cloaks and pointed hoods to participate in eerie night-time processions. The parades are organized by local religious brotherhoods. The participants -- called penitents, or sinners -- carry crucifixes and religious icons through the streets to act out the Easter story. According to centuries-old tradition, the penitents wear capirotes, or tall pointed hats, so that their neighbors don't know the identity of the sinner behind the mask.